LEADER 04079nam 22006372 450 001 996248127403316 005 20230615214005.0 010 $a1-139-08573-5 010 $a0-511-52005-0 024 7 $a2027/heb07694 035 $a(CKB)2660000000000236 035 $a(MH)008144654-3 035 $a(SSID)ssj0000333388 035 $a(PQKBManifestationID)11245682 035 $a(PQKBTitleCode)TC0000333388 035 $a(PQKBWorkID)10354722 035 $a(PQKB)10717583 035 $a(UkCbUP)CR9780511520051 035 $a(MiAaPQ)EBC4636668 035 $a(dli)HEB07694 035 $a(MiU)MIU01000000000000007434934 035 $a(EXLCZ)992660000000000236 100 $a20090327d1999|||| uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPerformance and authenticity in the arts /$feditors, Salim Kemal, Ivan Gaskell 210 1$aCambridge :$cCambridge University Press,$d1999. 215 $a1 online resource (x, 274 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in philosophy and the arts 300 $aIncludes index. 311 0 $a0-521-14743-3 311 0 $a0-521-45419-0 320 $aIncludes bibliographical references and index. 327 $aPerformance and authenticity / Salim Kemal & Ivan Gaskell -- The poetics of performance: the necessity of spectacle, music, and dance in Aristotelian tragedy / Gregory Scott -- The "confessing animal" on stage: authenticity, asceticism, and the constant "inconstancie" of Elizabethan character / Peter Iver Kaufman -- Art, religion, and the hermeneutics of authenticity / Nicholas Davey -- Understanding music / Michael Tanner -- Understanding music / Malcolm Budd -- Musical performance as analytical communication / Fred Everett Maus -- Performance authenticity: possible, practical, virtuous / Stan Godlovitch -- Why is it impossible in language to articulate the meaning of a work of music? / Joseph J. Kockelmans -- Inauthenticity, insincerity, and poetry / Alex Neill -- Poetry's oral stage / Peter Middleton -- True stories: Spalding Gray and the authenticities of performance / Henry M. Sayre. 330 $aThis book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. The final essays discuss the link of authenticity to sincerity and truth in poetry, explain how performance, as an authentic feature of poetry, embodies a collective effort, and culminate in a discussion of the dark side of performance - its constant susceptibility to inauthenticity. Together the essays suggest how issues of performance and authenticity enter into consideration of a wide range of the arts. 410 0$aCambridge studies in philosophy and the arts. 517 3 $aPerformance & Authenticity in the Arts 606 $aPerformance 606 $aAuthenticity (Philosophy) 606 $aCreation (Literary, artistic, etc.) 615 0$aPerformance. 615 0$aAuthenticity (Philosophy) 615 0$aCreation (Literary, artistic, etc.) 676 $a700/.1 702 $aKemal$b Salim 702 $aGaskell$b Ivan 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996248127403316 996 $aPerformance and authenticity in the arts$92419564 997 $aUNISA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress