LEADER 01160nam--2200397---450- 001 990000623690203316 035 $a0062369 035 $aUSA010062369 035 $a(ALEPH)000062369USA01 035 $a0062369 100 $a20010912d1971----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aAlgebra universale$fdi P.M. Cohn 210 $aMilano$cFeltrinelli$d1971 215 $a374 p.$d22 cm 225 2 $aCollana di matematica$v8 300 $aTrad. di Maurizio Fattorosi Barnaba 312 $aUniversale algebra 410 $12001$aCollana di matematica$v8 454 $12001$aUniversale algebra$933073 676 $a512.8 700 1$aCOHN,$bPaul Moritz$045807 702 1$aFATTOROSI BARNABA,$bMaurizio 801 0$aIT$bsalbc$gISBD 912 $a990000623690203316 951 $a510 CDM 8 A$b2037 CBS$c510$d00102743 951 $a510 CDM 8 B$b15724 CBS$c510$d00108236 959 $aBK 969 $aSCI 979 $aPATTY$b90$c20010912$lUSA01$h1417 979 $c20020403$lUSA01$h1712 979 $aPATRY$b90$c20040406$lUSA01$h1643 996 $aUniversale algebra$933073 997 $aUNISA LEADER 03274nam 22006732 450 001 996248112903316 005 20151005020621.0 010 $a1-107-15337-9 010 $a1-280-30898-2 010 $a0-511-14029-0 010 $a0-511-13948-9 010 $a0-511-14066-5 010 $a0-511-30919-8 010 $a0-511-48605-7 010 $a0-511-13989-6 035 $a(CKB)1000000000352544 035 $a(EBL)244416 035 $a(OCoLC)252488187 035 $a(SSID)ssj0000141260 035 $a(PQKBManifestationID)11151374 035 $a(PQKBTitleCode)TC0000141260 035 $a(PQKBWorkID)10056252 035 $a(PQKB)11517094 035 $a(UkCbUP)CR9780511486050 035 $a(MiAaPQ)EBC244416 035 $a(Au-PeEL)EBL244416 035 $a(CaPaEBR)ebr10129126 035 $a(CaONFJC)MIL30898 035 $a(OCoLC)67532269 035 $a(EXLCZ)991000000000352544 100 $a20090226d2006|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDramaturgy $ea revolution in theatre /$fMary Luckhurst$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2006. 215 $a1 online resource (xiii, 297 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in modern theatre 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-08188-2 311 $a0-521-84963-2 320 $aIncludes bibliographical references (p. 268-285) and index. 327 $aGotthold Lessing and the Hamburg dramaturgy -- Dramaturgy in nineteenth-century England -- William Archer and Harley Granville Barker: constructions of the literary manager -- Bertolt Brecht: the theory and practice of the dramaturg -- Kenneth Tynan and the National Theatre -- Dramaturgy and literary management in England today. 330 $aDramaturgy: A Revolution in Theatre is a substantial history of the origins of dramaturgs and literary managers. It frames the explosion of professional appointments in England within a wider continental map reaching back to the Enlightenment and eighteenth-century Germany, examining the work of the major theorists and practitioners of dramaturgy, from Granville Barker and Gotthold Lessing to Brecht and Tynan. This study positions Brecht's model of dramaturgy as central to the worldwide revolution in theatre-making practices, and it also makes a substantial argument for Granville Barker's and Tynan's contributions to the development of literary management. With the territories of play and performance-making being increasingly hotly contested, and the public's appetite for new plays showing no sign of diminishing, Mary Luckhurst investigates the dramaturg as a cultural and political phenomenon. 410 0$aCambridge studies in modern theatre. 606 $aTheater$xProduction and direction 606 $aDramaturges 615 0$aTheater$xProduction and direction. 615 0$aDramaturges. 676 $a792.023 700 $aLuckhurst$b Mary$0913134 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996248112903316 996 $aDramaturgy$92312884 997 $aUNISA