LEADER 02918nam  2200613 a 450 
001 996248105203316
005 20230828225611.0
010   $a0-520-91650-6
010   $a0-585-32092-6
024 7 $a10.1525/9780520916500
035   $a(CKB)111057870442176
035 1 $aMAHS93B962
035 1 $zDCLC9216317B
035   $a(MH)002594628-5
035   $a(DE-B1597)565394
035   $a(DE-B1597)9780520916500
035   $a(OCoLC)1224279537
035   $a(dli)HEB06281
035   $a(MiU)MIU01000000000000006868841
035   $a(MiAaPQ)EBC30771691
035   $a(Au-PeEL)EBL30771691
035   $a(EXLCZ)99111057870442176
100   $a19930817d1993      uy         0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aMusicology and difference $egender and sexuality in music scholarship /$fedited by Ruth A. Solie
205   $aReprint 2020
210   $aBerkeley $cUniversity of California Press$dc1993
215   $a1 online resource (xi, 355 p. )$cill. ;
311   $a0-520-20146-9 
311   $a0-520-07927-2 
320   $aIncludes bibliographical references and index.
327   $aGender and other dualities of music history -- Difference and power in music -- Loving it -- Charles Ives and gender ideology --Ethnomusicologist as midwife -- Women as musicians -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony
330   $aAddressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from twelfth-century monks to contemporary opera queens, these essays explore questions of gender and sexuality. Musicology and Difference brings together some of the freshest and most challenging voices in musicology today on a question of importance to all the humanistic disciplines.
606   $aSex in music
606   $aMusic$xPsychological aspects
606   $aMusicology
615  0$aSex in music.
615  0$aMusic$xPsychological aspects.
615  0$aMusicology.
676   $a780/.82
686   $aLR 56600$2rvk
701   $aSolie$b Ruth A$01014517
801  0$bDLC
801  1$bDLC
801  2$bMH-Mu
906   $aBOOK
912   $a996248105203316
996   $aMusicology and difference$92366710
997   $aUNISA
999   $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress