LEADER 04024nam 2200709Ia 450 001 996248066603316 005 20240430185308.0 010 $a1-282-07007-X 010 $a9786612070075 010 $a0-226-53479-0 024 7 $a10.7208/9780226534794 035 $a(CKB)1000000000725420 035 $a(EBL)432268 035 $a(OCoLC)646808762 035 $a(SSID)ssj0000241503 035 $a(PQKBManifestationID)11220956 035 $a(PQKBTitleCode)TC0000241503 035 $a(PQKBWorkID)10297302 035 $a(PQKB)10095429 035 $a(MiAaPQ)EBC432268 035 $a(DE-B1597)535820 035 $a(OCoLC)781292114 035 $a(DE-B1597)9780226534794 035 $a(Au-PeEL)EBL432268 035 $a(CaPaEBR)ebr10286147 035 $a(CaONFJC)MIL207007 035 $a(dli)HEB05611 035 $a(MiU)MIU01000000000000009797304 035 $a(EXLCZ)991000000000725420 100 $a19960517d1996 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSaying something $ejazz improvisation and interaction /$fIngrid Monson 205 $a1st ed. 210 1$aChicago $cUniversity of Chicago Press$dc1997 210 4$dİ1996 215 $a1 online resource (267 p.) 225 1 $aChicago studies in ethnomusicology 300 $aDescription based upon print version of record. 311 $a0-226-53478-2 311 $a0-226-53477-4 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tCONTENTS --$tILLUSTRATIONS --$tACKNOWLEDGMENTS --$tIntroduction --$tOne. Talking to Musicians --$tTwo. Grooving and Feeling --$tThree. Music, Language, and Cultural Styles: Inprovisation as Conversation --$tFour. Intermusicality --$tFive. Interaction, Feeling, and Musical Analysis --$tSix. Ethnomusicology, Interaction, and Poststructuralism --$tCoda --$tNotes --$tInterviews --$tRecordings --$tBibliography --$tIndex 330 $aThis fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century American cultural life. Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists. 410 0$aChicago studies in ethnomusicology. 606 $aJazz$xCriticism and interpretation 606 $aImprovisation (Music) 610 $aethnomusicology, musical techniques, jazz music, rhythm section, fresh look, ensembles, improvisational interplay, piano, drums, bass, innovative, complex, spontaneous, musicians talk, examples, saying something, race, politics, identity, cecil mcbee, billy higgins, sir roland hanna, richard davis, jaki byard, improvisation, interactiveness, tempo, timing, social communities, ideologies, 20th century, united states, african-american, musicology, anthropology, sociology, history. 615 0$aJazz$xCriticism and interpretation. 615 0$aImprovisation (Music) 676 $a781.65/136 700 $aMonson$b Ingrid T$g(Ingrid Tolia)$0906600 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996248066603316 996 $aSaying something$92122926 997 $aUNISA