LEADER 03986nam 2200697Ia 450 001 996248064903316 005 20240410192840.0 010 $a0-226-81696-6 010 $a9786612538872 010 $a1-282-53887-X 024 7 $a10.7208/9780226816968 035 $a(CKB)2520000000006491 035 $a(OCoLC)659562853 035 $a(CaPaEBR)ebrary10366803 035 $a(SSID)ssj0000423798 035 $a(PQKBManifestationID)12121810 035 $a(PQKBTitleCode)TC0000423798 035 $a(PQKBWorkID)10440990 035 $a(PQKB)11591689 035 $a(MiAaPQ)EBC3038247 035 $a(DE-B1597)535700 035 $a(OCoLC)1135605290 035 $a(DE-B1597)9780226816968 035 $a(Au-PeEL)EBL3038247 035 $a(CaPaEBR)ebr10366803 035 $a(CaONFJC)MIL253887 035 $a(dli)HEB05910 035 $a(MiU)MIU01000000000000009800593 035 $a(EXLCZ)992520000000006491 100 $a20000113d2000 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNationalists, cosmopolitans, and popular music in Zimbabwe /$fThomas Turino 205 $a1st ed. 210 $aChicago $cUniversity of Chicago Press$dc2000 215 $a1 online resource (421 p.) 225 1 $aChicago studies in ethnomusicology 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-226-81701-6 311 0 $a0-226-81702-4 320 $aIncludes bibliographical references (p. 377-389), discography (p. 391-392), and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tPort One. Critical Foundations --$tPart Two. Colonialism and the Rise of Urban Popular Music --$tPart Three. Musical Nationalism --$tPort Four. Guitar Bands and Cosmopolitan Youth Culture --$tPort Five. Globalization Begins at Home --$tReferences and Bibliography --$tDiscography --$tIndex 330 $aHailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980's with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music. 410 0$aChicago studies in ethnomusicology. 606 $aPopular music$zZimbabwe$xHistory and criticism 606 $aMusic$xSocial aspects$zZimbabwe 610 $azimbabwe, zimbabwean, musicology, music, musical, anthropology, popular, nationalism, nationalist, thomas mapfumo, lion, mukanya, popularity, government, political criticism, politics, chimurenga, shona, cultural studies, social responses, african, africa, art, performance, performer, youth, globalization, cosmopolitanism, guitar bands, indigenous artists, colonialism, colonial, dance. 615 0$aPopular music$xHistory and criticism. 615 0$aMusic$xSocial aspects 676 $a781.63/096891 700 $aTurino$b Thomas$0910045 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996248064903316 996 $aNationalists, cosmopolitans, and popular music in Zimbabwe$92195714 997 $aUNISA