LEADER 03891nam 22006015 450 001 996248053503316 005 20220308022036.0 010 $a0-226-73034-4 010 $a0-226-73033-6 024 7 $a10.7208/9780226730349 035 $a(CKB)2670000000416058 035 $a(EBL)4312110 035 $a(SSID)ssj0001002957 035 $a(PQKBManifestationID)12452909 035 $a(PQKBTitleCode)TC0001002957 035 $a(PQKBWorkID)11016146 035 $a(PQKB)10598209 035 $a(MiAaPQ)EBC4312110 035 $a(DE-B1597)524353 035 $a(OCoLC)1058793136 035 $a(DE-B1597)9780226730349 035 $a(dli)HEB05566 035 $a(MiU)MIU01000000000000012428036 035 $a(EXLCZ)992670000000416058 100 $a20200424h20151992 fg 0 101 0 $aeng 135 $aurnnu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aMusic and Musical Thought in Early India /$fLewis Rowell 205 $aPaperback edition. 210 1$aChicago :$cUniversity of Chicago Press,$d[2015] 210 4$dİ1992 215 $a1 online resource (428 p.) 225 0 $aChicago Studies in Ethnomusicology 300 $aDescription based upon print version of record. 311 0 $a0-226-73032-8 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tCONTENTS --$tPREFACE --$tACKNOWLEDGMENTS --$tTHE SOUNDS OF SANSKRIT --$tABBREVIATIONS --$tABOUT THE FRONTISPIECE --$tONE. INTRODUCTION --$tTWO. THOUGHT --$tTHREE. SOUND --$tFOUR. CHANT --$tFIVE. THEATER --$tSIX. ??STRA --$tSEVEN. PITCH --$tEIGHT. TIME --$tNINE. FORM --$tTEN. SONG --$tELEVEN. STYLE --$tTWELVE. AFTERTHOUGHTS --$tNOTES --$tGLOSSARY --$tBIBLIOGRAPHY --$tINDEX 330 $aOffering a broad perspective of the philosophy, theory, and aesthetics of early Indian music and musical ideology, this study makes a unique contribution to our knowledge of the ancient foundations of India's musical culture. Lewis Rowell reconstructs the tunings, scales, modes, rhythms, gestures, formal patterns, and genres of Indian music from Vedic times to the thirteenth century, presenting not so much a history as a thematic analysis and interpretation of India's magnificent musical heritage. In Indian culture, music forms an integral part of a broad framework of ideas that includes philosophy, cosmology, religion, literature, and science. Rowell works with the known theoretical treatises and the oral tradition in an effort to place the technical details of musical practice in their full cultural context. Many "ations from the original Sanskrit appear here in English translation for the first time, and the necessary technical information is presented in terms accessible to the nonspecialist. These features, combined with Rowell's glossary of Sanskrit terms and extensive bibliography, make Music and Musical Thought in Early India an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists. 410 0$aChicago studies in ethnomusicology. 606 $aMusic theory$zIndia 610 $amusic, musical, india, indian, philosophy, philosophical, theory, aesthetics, ideology, culture, cultural studies, tunings, scales, modes, rhythms, gestures, formal patterns, genres, heritage, cosmology, religion, religious, literature, literary, science, oral tradition, sanskrit, ethnomusicology, musicology, sound, tempo, republic, country, national, historical, history, pitch, timing, songs. 615 0$aMusic theory 676 $a781/.0954/0902 700 $aRowell$b Lewis$4aut$4http://id.loc.gov/vocabulary/relators/aut$0647554 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996248053503316 996 $aMusic and musical thought in early India$91155321 997 $aUNISA