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100   $a20060821d2007      ub         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aToo beautiful to picture $eZeuxis, myth, and mimesis /$fElizabeth C. Mansfield
205   $a1st ed.
210   $aMinneapolis $cUniversity of Minnesota Press$dc2007
215   $a1 online resource (256 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-4749-6 
311   $a0-8166-4748-8 
320   $aIncludes bibliographical references (p. 169-211) and index.
327   $aMyth and Mimesis in western art history -- Art history as myth -- The Zeuxis myth -- Myth and Mimesis in the Renaissance -- Painting (like) Zeuxis -- Zeuxis in the academy -- Women artists and the Zeuxis myth -- Painting in the philosophical brothel -- Zeuxis in the operating room: Orlan's carnal art -- Conclusion: Zeuxis selecting models and the cultural unconscious.
330   $aFew tales of artistic triumph can rival the story of Zeuxis. As firstreported by Cicero and Pliny, the painter Zeuxis set out to portrayHelen of Troy, but when he realized that a single model could not matchHelen's beauty, he combined the best features of five different models.A primer on mimesis in art making, the Zeuxis myth also illustratesambivalence about the ability to rely on nature as a model for idealform.
606   $aArt and mythology
606   $aMimesis in art
606   $aNarrative art
615  0$aArt and mythology.
615  0$aMimesis in art.
615  0$aNarrative art.
676   $a701
700   $aMansfield$b Elizabeth$f1965-$0166710
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a996248053003316
996   $aToo beautiful to picture$92091305
997   $aUNISA