LEADER 01752nam  2200505 a 450 
001 996248040003316
005 20221108074147.0
010   $a0-674-01037-X
024 7 $a2027/heb05549
035   $a(CKB)1000000000548102
035   $a(dli)HEB05549
035   $a(SSID)ssj0000084538
035   $a(PQKBManifestationID)11126433
035   $a(PQKBTitleCode)TC0000084538
035   $a(PQKBWorkID)10185425
035   $a(PQKB)11297139
035   $a(MiU)MIU01000000000000005838121
035   $a(EXLCZ)991000000000548102
100   $a20040407d2003      uy         0
101 0 $aeng
135   $aurmnummmmuuuu
181   $ctxt
182   $cc
183   $acr
200 10$aMotives for allusion $econtext and content in nineteenth-century music /$fChristopher Alan Reynolds
210   $aCambridge, Mass. $cHarvard University Press$dc2003
215   $a1 online resource (xii, 230 p. )$cill. ;
300   $aBibliographic Level Mode of Issuance: Monograph
320   $aIncludes bibliographical references and index.
327   $aDefinitions -- Transformations -- Assimilative allusions -- Contrastive allusions -- Texting -- Inspiration -- Naming -- Allusive traditions and audiences -- Motives for allusion.
410  0$aACLS Humanities E-Book.
531   $aMOTIVES FOR ALLUSION
606   $aQuotation in music
606   $aMusic$y19th century$xHistory and criticism
615  0$aQuotation in music.
615  0$aMusic$xHistory and criticism.
676   $a781.3
700   $aReynolds$b Christopher A$0297234
712 02$aAmerican Council of Learned Societies.
801  0$bMiU
801  1$bMiU
906   $aBOOK
912   $a996248040003316
996   $aMotives for allusion$9726998
997   $aUNISA