LEADER 05773oam 22012374a 450 001 996248010503316 005 20230714162325.0 010 $a1-4008-4347-2 024 7 $a10.1515/9781400843473 035 $a(CKB)1000000000548136 035 $a(dli)HEB04457 035 $a(MiAaPQ)EBC6519032 035 $a(Au-PeEL)EBL6519032 035 $a(OCoLC)1243548331 035 $a(OCoLC)298105095 035 $a(MdBmJHUP)musev2_83097 035 $a(DE-B1597)577395 035 $a(DE-B1597)9781400843473 035 $a(MiU)MIU01000000000000005809858 035 $a(EXLCZ)991000000000548136 100 $a20210414d1993 uy 0 101 0 $aeng 135 $aurmnummmmuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIn the Realm of the Diamond Queen$eMarginality in an Out-of-the-Way Place 210 1$aPrinceton, New Jersey :$cPrinceton University Press,$d[1993] 210 4$d©1993 215 $a1 online resource (xvi, 350 p. )$cill., maps ; 311 $a0-691-03335-8 311 $a0-691-00051-4 320 $aIncludes bibliographical references and index. 327 $aCover Page -- Half-title Page -- Title Page -- Copyright Page -- Dedication Page -- Contents -- Preface -- Opening In The Realm Of The Diamond Queen -- Part One Politics Of The Periphery -- 1. Marginal Fictions -- 2. Government Headhunters -- 3. Family Planning -- Part Two A Science Of Travel -- 4. Leadership Landscapes -- 5. Conditions of Living -- 6. On the Boundary of the Skin -- Part Three Riding The Horse Of Gaps -- 7. Alien Romance -- 8. Riding, Writing -- 9. The History of the World -- Reprise -- Notes -- References Cited -- Index. 330 $aIn this highly original and much-anticipated ethnography, Anna Tsing challenges not only anthropologists and feminists but all those who study culture to reconsider some of their dearest assumptions. By choosing to locate her study among Meratus Dayaks, a marginal and marginalized group in the deep rainforest of South Kalimantan, Indonesia, Tsing deliberately sets into motion the familiar and stubborn urban fantasies of self and other. Unusual encounters with her remarkably creative and unconventional Meratus friends and teachers, however, provide the opportunity to rethink notions of tradition, community, culture, power, and gender--and the doing of anthropology. Tsing's masterful weaving of ethnography and theory, as well as her humor and lucidity, allow for an extraordinary reading experience for students, scholars, and anyone interested in the complexities of culture.Engaging Meratus in wider conversations involving Indonesian bureaucrats, family planners, experts in international development, Javanese soldiers, American and French feminists, Asian-Americans, right-to-life advocates, and Western intellectuals, Tsing looks not for consensus and coherence in Meratus culture but rather allows individual Meratus men and women to return our gaze. Bearing the fruit from the lively contemporary conversations between anthropology and cultural studies, In the Realm of the Diamond Queen will prove to be a model for thinking and writing about gender, power, and the politics of identity. 410 0$aACLS Humanities E-Book. 606 $aDayak (Bornean people)$xGovernment relations 606 $aDayak (Bornean people)$xSocial conditions 606 $aSex role$zIndonesia$zMeratus Mountains Region 606 $aSOCIAL SCIENCE / Anthropology / General$2bisacsh 610 $aAwat Kilay. 610 $aBukit. 610 $aBungsukaling epics. 610 $aChristian village. 610 $aDiamond Queen. 610 $aElderidge, Philip. 610 $aGates, Henry Louis. 610 $aGhosh, Amitav. 610 $aInduan Kilay. 610 $aJameson, Frederic. 610 $aMulder, Niels. 610 $aNabi Bungkun. 610 $aabjection. 610 $aadministrative boundaries. 610 $aarmy posts. 610 $abathing. 610 $abinturung trees. 610 $acannibalism, in war stories. 610 $acraft work. 610 $adamar trees. 610 $adewa spirits. 610 $adialects. 610 $adivorce: in Parma?s story. 610 $aduality, gender and. 610 $aeating patterns. 610 $aessentialism. 610 $aexceptional women. 610 $afamily planning. 610 $afetal development story. 610 $afood poisoning. 610 $afoothills, resettlement in. 610 $aforest areas. 610 $afounding of the kingdom. 610 $agossiping. 610 $agovernment headhunters. 610 $ahead tax. 610 $ahistorical setting. 610 $aincense burning, with curing chant. 610 $aironwood. 610 $akariwaya, birds lured with. 610 $akulidang trees. 610 $alahung burung trees. 610 $alove songs. 610 $amangapuhun. 610 $amangos. 610 $amealtimes. 610 $aneighborhood groups. 610 $aoratory. 610 $apampakin trees. 610 $apolitical decentralization. 610 $apostmodernity. 610 $aregional asymmetry. 610 $arice storage. 615 0$aDayak (Bornean people)$xGovernment relations. 615 0$aDayak (Bornean people)$xSocial conditions. 615 0$aSex role 615 7$aSOCIAL SCIENCE / Anthropology / General. 676 $a323.119922 700 $aTsing$b Anna Lowenhaupt$0845721 712 02$aAmerican Council of Learned Societies. 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a996248010503316 996 $aIn the realm of the diamond queen$91887989 997 $aUNISA LEADER 04759nam 2201021Ia 450 001 9910786240503321 005 20230803025619.0 010 $a0-520-95476-9 024 7 $a10.1525/9780520954762 035 $a(CKB)2670000000340322 035 $a(EBL)1163753 035 $a(OCoLC)836401269 035 $a(SSID)ssj0000856769 035 $a(PQKBManifestationID)11425257 035 $a(PQKBTitleCode)TC0000856769 035 $a(PQKBWorkID)10817972 035 $a(PQKB)10472710 035 $a(StDuBDS)EDZ0000155600 035 $a(MiAaPQ)EBC1163753 035 $a(MdBmJHUP)muse30955 035 $a(DE-B1597)520597 035 $a(DE-B1597)9780520954762 035 $a(Au-PeEL)EBL1163753 035 $a(CaPaEBR)ebr10681972 035 $a(CaONFJC)MIL475691 035 $a(EXLCZ)992670000000340322 100 $a20111102d2013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aSovereign feminine$b[electronic resource] $emusic and gender in eighteenth-century Germany /$fMatthew Head 210 $aBerkeley $cUniversity of California Press$d2013 215 $a1 online resource (351 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-27384-2 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIllustrations --$tPreface and Acknowledgments --$tIntroduction: Fictions of Female Ascendance --$t1. Europe's Living Muses: Women, Music, and Modernity in Burney's History and Tours --$t2. "If the pretty little hand won't stretch": Music for the Fair Sex --$t3. Charlotte ("Minna") Brandes and the Beautiful Dead --$t4. An Evening in Tiefurt: Corona Schröter's Die Fischerin and Vegetable Genius --$t5. Sophie Westenholz and the Eclipse of the Female Sign --$t6. Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont --$tConclusion --$tAppendix: Johann Friedrich Reichardt, Two Prefaces to the Fair Sex --$tNotes --$tBibliography --$tIndex 330 $aIn the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity-a newly emerging and primarily bourgeois ideal-linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender and art. In Sovereign Feminine, Matthew Head restores this earlier musical history and explores the role that women played in the development of classical music. 606 $aGender identity in music 606 $aWomen musicians$zGermany$xHistory$y18th century 610 $a18th century. 610 $a19th century. 610 $aart. 610 $aauthorial autonomy. 610 $abeauty. 610 $abourgeois ideal. 610 $aclassical music. 610 $aclassical. 610 $acommercial culture. 610 $aengaging. 610 $afemale composers. 610 $afemale excellence. 610 $afemale musicians. 610 $afemininity. 610 $afeminocentric values. 610 $afine arts. 610 $agender studies. 610 $agerman states. 610 $aluxury. 610 $amasterworks. 610 $amusic. 610 $amusical canons. 610 $amusical composers. 610 $amusical history. 610 $amusical performers. 610 $amusical. 610 $apatriotism. 610 $aperforming arts. 610 $arefinement. 610 $asensibility. 610 $asex. 610 $asocial issues. 610 $avirtue. 610 $awomens history. 610 $awomens issues. 615 0$aGender identity in music. 615 0$aWomen musicians$xHistory 676 $a780.82/0943 700 $aHead$b Matthew$01524718 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786240503321 996 $aSovereign feminine$93765746 997 $aUNINA