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100   $a20790329d1979      uy         0
101 0 $aeng
135   $aurmnummmmuuuu
181   $ctxt
182   $cc
183   $acr
200 10$aModern drama and German classicism $erenaissance from Lessing to Brecht /$fBenjamin Bennett
205   $a1st print. Cornell pbks.
210 0 $aIthaca, N.Y. $cCornell University Press$d1979
215   $a1 online resource (359 p. )
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-8014-9391-9 
320   $aIncludes bibliographical references and index.
327   $aPrinz Friedrich von Homburg: theory in practice -- Lessing and the problem of drama -- Nathan der Weise: breakthrough in practice -- Iphigenie auf Tauris and Goethe's idea of drama -- Egmont and the maelstrom of self -- The importance of being Egmont -- Schiller's theoretical impasse and Maria Stuart -- Breakthrough in theory: the philosophical background of modern drama -- The assault uopn the audience: types of modern drama -- The classic modern: Brecht.
517   $aModern Drama and German Classicism
606   $aGerman drama$xHistory and criticism
606   $aEuropean drama$xHistory and criticism
606   $aGerman drama$y18th century$xHistory and criticism
615  0$aGerman drama$xHistory and criticism.
615  0$aEuropean drama$xHistory and criticism.
615  0$aGerman drama$xHistory and criticism.
676   $a832/.6/09
700   $aBennett$b Benjamin$f1939-$0245417
702   $aBennett$b Benjamin
801  0$bDLC
801  1$bDLC
906   $aBOOK
912   $a996247999203316
996   $aModern drama and German classicism$92330865
997   $aUNISA
999   $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress