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101 0 $aeng
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200 10$aSomething to live for $ethe music of Billy Strayhorn /$fWalter van de Leur
210   $aNew York ;$aOxford $cOxford University Press$d2002
215   $a1 online resource (353 p.)
300   $aDescription based upon print version of record.
311 0 $a0-19-512448-0 
311 0 $a0-19-986871-9 
320   $aIncludes bibliographical references (p. [309]-314), discography (p. [194]-254), and index.
327   $aContents; Preface; Acknowledgments; Introduction; 1. Fantastic Rhythm: The Pittsburgh Years; 2. The Renaissance of Arranging: First Works for and with Duke Ellington; 3. The Strayhorn Effect: A New Way of Writing for Jazz Orchestra; 4. Thinking with the Ear: Strayhorn's Musical Fingerprints; 5. Writing and Arranging Companion: Credited and Uncredited Collaborations; 6. ""He Is He and I Am Me"": The Ellington-Strayhorn Collaboration; 7. Wounded Love: Away from the Ellington Organization; 8. Masterpieces by Strayhorn: Writing for Albums; 9. The Whodunit Game: The Mature Style of Billy Strayhorn
327   $a10. North by Southwest: The Final Years 11. Conclusion; APPENDICES; A. Scores of Scores: Manuscripts at the Billy Strayhorn and Duke Ellington Collections; B. Billy Strayhorn's Works on Record; C. Billy Strayhorn's Works on Record (Posthumously Premiered); D. Billy Strayhorn's Compositions; Notes; References; Credits; Index;
330 8 $aWalter van de Leur traces the origins of Billy Strayhorn's music, with its roots in European and American idioms, and uncovers hitherto unknown works that cast a new light on his development as a composer and orchestrator.
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