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035   $a(dli)HEB07597
035   $a(UkCbUP)CR9780511624346
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100   $a20141103d1998||||  uy|            0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe films of Michelangelo Antonioni /$fPeter Brunette$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d1998.
215   $a1 online resource (xiii, 186 pages) $cdigital, PDF file(s)
225 1 $aCambridge film classics
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a0-521-38085-5 
311   $a0-521-38992-5 
320   $aFilmography: p. 147-153.
320   $aIncludes bibliographical references (p. 181) and index.
330   $aThe Films of Michelangelo Antonioni provides an overview of the Italian director's life and work, and examines six of his most important and intellectually challenging films. L'avventura, La notte, and L'eclisse, released in the early 1960s, form the trilogy that first brought the director to international attention. Red Desert was his first film in colour. Blow-up, shot in English and set in swinging London, became one of the best-known (and most notorious) films of its era. The Passenger, starring Jack Nicholson, is the greatest work of his maturity. Rather than emphasizing the stress and alienation of Antonioni's characters, in this book Peter Brunette places the films in the context of the director's ongoing social and political analysis of the Italy of the great postwar economic boom, and demonstrates also how they are formal exercises that depend on painterly abstraction for their expressive effects.
410  0$aCambridge film classics.
676   $a791.43/0233092
700   $aBrunette$b Peter$0780810
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a996247988503316
996   $aFilms of Michelangelo Antonioni$91731449
997   $aUNISA