LEADER 02999nam 22004932 450 001 996247987403316 005 20160330143752.0 010 $a1-139-08594-8 010 $a0-511-55245-9 024 7 $a2027/heb07665 035 $a(CKB)2660000000000224 035 $a(MiAaPQ)EBC4638698 035 $a(UkCbUP)CR9780511552458 035 $a(dli)HEB07665 035 $a(MiU)MIU01000000000000007433413 035 $a(EXLCZ)992660000000000224 100 $a20090512d1991|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe twelve-note music of Anton Webern $eold forms in a new language /$fKathryn Bailey$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d1991. 215 $a1 online resource (xii, 462 pages) $cdigital, PDF file(s) 225 1 $aMusic in the twentieth century ;$v2 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-39088-5 311 $a0-521-54796-2 320 $aIncludes bibliographical references (p. 454-488) and index. 327 $aThe rows -- Row topography -- Canon -- The movements in sonata form : Opp. 20/ii, 21/i, 22/i, 24/i, and 27/i -- The movements in variation form : Opp. 21/ii, 24/iii, 27/iii, 28/i, and 30 -- The movements in rondo and ternary forms : Opp. 20/i, 22/ii, 24/ii, 28/ii, and 28/iii -- The movement in binary form : Op. 27/ii -- Das Augenlicht -- Cantata I -- Cantata II. 330 $aThis important new study reassesses the position of Anton Webern in twentieth-century music. The twelve-note method of composition adopted by Anton Webern had profound consequences for composers of the next generation such as Stockhausen and Boulez, who saw Webern's music as revolutionary. In her detailed analyses, however, Professor Bailey demonstrates a fundamentally traditional aspect to Webern's creativity, when describing his own music. Professor Bailey analyses all Webern's twelve-note works (from Op. 17 to Op. 31) i.e. the instrumental and vocal music written between 1924 and 1943. These analyses draw on sketch material recently made available at the Paul Sacher Foundation in Basel and include transcriptions of little-known drafts and sketches. A most valuable aspect of the book is the inclusion in appendices of such materials as a complete explanation of the row content of each work, the correct prime form of each of the rows from Op. 20 onwards, with a matrix constructed for each, and exhaustive row analyses. 410 0$aMusic in the twentieth century ;$v2. 517 3 $a12-note music of Anton Webern 606 $aTwelve-tone system 615 0$aTwelve-tone system. 676 $a781.2/68/092 700 $aBailey$b Kathryn$cDr.,$01019997 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996247987403316 996 $aThe twelve-note music of Anton Webern$92408304 997 $aUNISA