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010   $a0-19-816154-9
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035   $a(dli)HEB05920
035   $a(MiU)MIU01000000000000012838913
035   $a(OCoLC)1406780845
035   $a(StDuBDS)9781383007084
035   $a(EXLCZ)992560000000326004
100   $a19900919e20231990  uy         |
101 0 $aeng
135   $aurmnummmmuuuu
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aMusic, imagination and culture /$fNicholas Cook
210  1$aOxford :$cClarendon,$d2023.
215   $a1 online resource (265 p. )$cill., music ;
225 1 $aOxford scholarship online
300   $aIncludes index.
300   $aPreviously issued in print: 1990.
311   $a0-19-816303-7 
320   $aIncludes bibliographical references (p. [244]-257) and index.
327   $aMusic form and the listener. Musical and non-musical listening ; Experiencing music as form ; The perception of form : some tests -- Imagining music. Production versus reception ; Imagining music -- Knowing and listening. The two sides of the musical fabric ; Appreciation and criticism -- Composition and culture. Composition versus prediction ; Reification and explanation.
330 8 $aThis book is a study of musical imagination. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, the author makes a clear distinction between the province of music theory and that of aesthetic criticism.
410  0$aOxford scholarship online.
606   $aMusic$xPhilosophy and aesthetics
606   $aMusic$xPsychological aspects
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aMusic$xPsychological aspects.
676   $a781/.11
700   $aCook$b Nicholas$f1950-$0446289
801  0$bUk
801  1$bUk
801  2$bStDuBDSZ
801  2$bStDuBDSZ
906   $aBOOK
912   $a996247983803316
996   $aMusic, imagination, and culture$92343189
997   $aUNISA
999   $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress