LEADER 02609nam 2200733 a 450 001 996247981603316 005 20190513192816.0 010 $a1-283-42347-2 010 $a9786613423474 010 $a0-19-987711-4 024 7 $a2027/heb31458 035 $a(CKB)2560000000296609 035 $a(EBL)3054453 035 $a(OCoLC)922970694 035 $a(SSID)ssj0000580622 035 $a(PQKBManifestationID)11374601 035 $a(PQKBTitleCode)TC0000580622 035 $a(PQKBWorkID)10606134 035 $a(PQKB)10053309 035 $a(StDuBDS)EDZ0000054831 035 $a(MiAaPQ)EBC3054453 035 $a(dli)HEB31458 035 $a(MiU)MIU01000000000000012918302 035 $a(MiAaPQ)EBC31092123 035 $a(Au-PeEL)EBL31092123 035 $a(EXLCZ)992560000000296609 100 $a20110119d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSilent music $emedieval song and the construction of history in eighteenth-century Spain /$fby Susan Boynton 205 $a1st ed. 210 $aNew York ;$aOxford $cOxford University Press$d2011 215 $a1 online resource (237 p.) 225 1 $aCurrents in Latin American and Iberian Music 300 $aDescription based upon print version of record. 311 $a0-19-975459-4 311 $a0-19-991885-6 320 $aIncludes bibliographical references and index. 327 $aBurriel in the Spanish Enlightenment -- The commission on the archives in Toledo cathedral -- A gem worthy of a king : the facsimile of a Mozarabic chant book -- Alfonso X in the age of Ferdinand VI : copying the Cantigas de Santa Maria -- Palomares and the Visigothic neumes. 330 8 $aThis text shows the influence of medieval musical manuscripts on the articulation of national identity in Enlightenment Spain. 410 0$aCurrents in Latin American & Iberian music 606 $aPaleography, Musical$zSpain 606 $aMusic$y500-1400$xManuscripts$zSpain 606 $aMusic$y500-1400$xHistory and criticism 606 $aEnlightenment$zSpain$xInfluence 606 $aNeumes 615 0$aPaleography, Musical 615 0$aMusic$xManuscripts 615 0$aMusic$xHistory and criticism. 615 0$aEnlightenment$xInfluence. 615 0$aNeumes. 676 $a780.946 686 $a9,2$2ssgn 700 $aBoynton$b Susan$f1966-$01011415 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996247981603316 996 $aSilent music$92404521 997 $aUNISA