LEADER 04407 am 2201117 n 450 001 9910495715703321 005 20190103 010 $a2-7132-3078-0 024 7 $a10.4000/books.editionsehess.5640 035 $a(CKB)4100000007279160 035 $a(FrMaCLE)OB-editionsehess-5640 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/95028 035 $a(PPN)233323066 035 $a(EXLCZ)994100000007279160 100 $a20181221j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDossier : Place aux objets ! $ePrésentification et vie des artefacts en Grèce ancienne / 210 $aParis-Athènes $cÉditions de l?École des hautes études en sciences sociales$d2019 215 $a1 online resource (358 p.) 225 1 $aMètis 311 $a2-7132-2766-6 330 $aDossier : Et si, par-delà la dichotomie classique sujet-objet, les artefacts étaient appréhendés comme des agents voire des événements, et considérés dans leur rapport au temps et à l?espace ? Ce dossier propose l?étude des phénomènes, dispositifs et contextes par lesquels les objets adviennent en Grèce ancienne. Varia : Balles de fronde, noms barbares : la puissance des mots. Imaginaires du passé : la guerre lélantine, la figure de Solon. Le rôle de la peau dans le diagnostic médical. Savoirs et lieux de savoirs. Issue: How can we break the paradigm in which objects are thought of as simple devices or mediators, ontologically distinct from human subjects? A close dialogue with anthropological fieldwork invites to focus on the « presence » of artifacts, as they are given within a « world horizon » (Merleau-Ponty). This report explores the phenomena, devices and contexts able to bring an artifact to life, paying close attention to their modes of presentification. Examining how they are activated sheds new light on the way objects are handled. What happens when an artifact is augmented, modified, hidden or, per contra, disclosed? What enunciative and visual strategies does it appear with? In that perspective, the artifact is not to be thought of as a closed, finite object, but has to be connected with the sensory environment it creates or which affects it. 517 $aDossier 517 $aDossier  606 $aHistory 606 $aAnthropology 606 $aCultural studies 606 $aobjet 606 $aartefact 606 $amatérialité 606 $amémoire 606 $ageste 606 $aekphrasis 606 $ainscription 606 $aarme 606 $aiconicité 606 $aobject 606 $aartifact 606 $amateriality 606 $amemory 606 $agesture 606 $aweapon 606 $aiconicity 610 $aobject 610 $aartifact 610 $amateriality 610 $amemory 610 $agesture 610 $aekphrasis 610 $ainscription 610 $aweapon 610 $aiconicity 615 4$aHistory 615 4$aAnthropology 615 4$aCultural studies 615 4$aobjet 615 4$aartefact 615 4$amatérialité 615 4$amémoire 615 4$ageste 615 4$aekphrasis 615 4$ainscription 615 4$aarme 615 4$aiconicité 615 4$aobject 615 4$aartifact 615 4$amateriality 615 4$amemory 615 4$agesture 615 4$aweapon 615 4$aiconicity 700 $aBershadsky$b Natasha$01350812 701 $aBrouillet$b Manon$01327439 701 $aCarastro$b Cléo$01350813 701 $aCorre$b Nicolas$01350814 701 $aGavrylenko$b Valeria$01350815 701 $aGiovacchini$b Julie$01322062 701 $aJudet de La Combe$b Pierre$0185156 701 $aKirk$b Athena$01350816 701 $aLatifses$b Ajda$01350817 701 $aLefebvre$b Benoît$01350818 701 $aLissarrague$b François$0386375 701 $aPlatt$b Verity$01350819 701 $aSiron$b Nicolas$01284748 701 $aSteiner$b Deborah$0451337 701 $aVilletard$b Michèle$01350820 701 $aWebb$b Ruth$0474187 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910495715703321 996 $aDossier : Place aux objets $93089821 997 $aUNINA LEADER 05418nam 2201129Ia 450 001 996247974403316 005 20240508133648.0 010 $a1-283-16902-9 010 $a9786613169020 010 $a1-4008-4011-2 024 7 $a10.1515/9781400840113 035 $a(CKB)2550000000040777 035 $a(EBL)736910 035 $a(OCoLC)744465979 035 $a(SSID)ssj0000525706 035 $a(PQKBManifestationID)11348127 035 $a(PQKBTitleCode)TC0000525706 035 $a(PQKBWorkID)10520019 035 $a(PQKB)11262776 035 $a(MiAaPQ)EBC736910 035 $a(StDuBDS)EDZ0000515043 035 $a(MdBmJHUP)muse36968 035 $a(DE-B1597)446630 035 $a(OCoLC)979579584 035 $a(DE-B1597)9781400840113 035 $a(Au-PeEL)EBL736910 035 $a(CaPaEBR)ebr10484249 035 $a(CaONFJC)MIL316902 035 $a(dli)HEB31731 035 $a(MiU)MIU01000000000000012918714 035 $a(PPN)187268843 035 $a(EXLCZ)992550000000040777 100 $a20110228d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSlavery and the culture of taste /$fSimon Gikandi 205 $aCore Textbook 210 1$aPrinceton, NJ :$cPrinceton University Press,$d[2011] 215 $a1 online resource 300 $aDescription based upon print version of record. 311 $a0-691-16097-X 311 $a0-691-14066-9 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tPreface --$tAcknowledgments --$t1. Overture: Sensibility in the Age of Slavery --$t2. Intersections: Taste, Slavery, and the Modern Self --$t3. Unspeakable Events: Slavery and White Self-Fashioning --$t4. Close Encounters: Taste and the Taint of Slavery --$t5. "Popping Sorrow": Loss and the Transformation of Servitude --$t6. The Ontology of Play: Mimicry and the Counterculture of Taste --$tCoda: Three Fragments --$tNotes --$tBibliography --$tIndex 330 $aIt would be easy to assume that, in the eighteenth century, slavery and the culture of taste--the world of politeness, manners, and aesthetics--existed as separate and unequal domains, unrelated in the spheres of social life. But to the contrary, Slavery and the Culture of Taste demonstrates that these two areas of modernity were surprisingly entwined. Ranging across Britain, the antebellum South, and the West Indies, and examining vast archives, including portraits, period paintings, personal narratives, and diaries, Simon Gikandi illustrates how the violence and ugliness of enslavement actually shaped theories of taste, notions of beauty, and practices of high culture, and how slavery's impurity informed and haunted the rarified customs of the time. Gikandi focuses on the ways that the enslavement of Africans and the profits derived from this exploitation enabled the moment of taste in European--mainly British--life, leading to a transformation of bourgeois ideas regarding freedom and selfhood. He explores how these connections played out in the immense fortunes made in the West Indies sugar colonies, supporting the lavish lives of English barons and altering the ideals that defined middle-class subjects. Discussing how the ownership of slaves turned the American planter class into a new aristocracy, Gikandi engages with the slaves' own response to the strange interplay of modern notions of freedom and the realities of bondage, and he emphasizes the aesthetic and cultural processes developed by slaves to create spaces of freedom outside the regimen of enforced labor and truncated leisure. Through a close look at the eighteenth century's many remarkable documents and artworks, Slavery and the Culture of Taste sets forth the tensions and contradictions entangling a brutal practice and the distinctions of civility. 606 $aSlavery in literature 606 $aSlavery$xMoral and ethical aspects 610 $aAfrica. 610 $aAmerican plantocracy. 610 $aBarack Obama. 610 $aBritain. 610 $aChristopher Codrington. 610 $aJames Tallmadge Jr. 610 $aMissouri. 610 $aW. E. B. Du Bois. 610 $aWest Indies. 610 $aWilliam Beckford. 610 $aantebellum South. 610 $aart. 610 $abeauty. 610 $ablack difference. 610 $ablack self. 610 $ablack people. 610 $abondage. 610 $abourgeois culture. 610 $aconsumption. 610 $aculture. 610 $aenslaved persons. 610 $aenslavement. 610 $afestival. 610 $afreedom. 610 $aidentity. 610 $ainvoluntary servitude. 610 $amodern identity. 610 $arace. 610 $aselfhood. 610 $asensibility. 610 $aslavery. 610 $asorrow songs. 610 $astatehood. 610 $asugar colonies. 610 $ataste. 610 $aviolence. 615 0$aSlavery in literature. 615 0$aSlavery$xMoral and ethical aspects. 676 $a306.3/6209033 700 $aGikandi$b Simon$0221560 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996247974403316 996 $aSlavery and the culture of taste$92312557 997 $aUNISA