LEADER 03603oam 2200661 450 001 996237239803316 005 20170821171208.0 010 $a1-282-60146-6 010 $a9786612601460 010 $a90-474-4313-6 024 7 $a10.1163/ej.9789004166776.i-456 035 $a(CKB)2670000000011093 035 $a(OCoLC)593315693 035 $a(CaPaEBR)ebrary10372784 035 $a(SSID)ssj0000335140 035 $a(PQKBManifestationID)11215139 035 $a(PQKBTitleCode)TC0000335140 035 $a(PQKBWorkID)10272113 035 $a(PQKB)10222796 035 $a(MiAaPQ)EBC3004271 035 $a(OCoLC)234260160 035 $a(nllekb)BRILL9789047443131 035 $a(PPN)174387849 035 $a(EXLCZ)992670000000011093 100 $a20080716d2008 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBetween grammar and rhetoric $eDionysius of Halicarnassus on language, linguistics and literature /$fby Casper C. de Jonge 210 1$aBoston :$cBrill,$d2008. 215 $a1 online resource (470 p.) 225 0 $aBrill eBook titles 2008 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a90-04-16677-7 320 $aIncludes bibliographical references (p. [401]-421) and index. 327 $tPreliminary Material /$rDe Jonge -- $tChapter One. Introduction /$rDe Jonge -- $tChapter Two. Dionysius On The Nature Of Language /$rDe Jonge -- $tChapter Three. Dionysius On The Grammatical Theory Of The Parts Of Speech /$rDe Jonge -- $tChapter Four. Linguistics, Composition, And Style: Dionysius? Use Of The Parts Of Speech /$rDe Jonge -- $tChapter Five. Natura Artis Magistra. Dionysius On Natural Style, Syntax And Word Order /$rDe Jonge -- $tChapter Six. The Initiation Rites Of Style. Dionysius On Prose, Poetry, And Poetic Prose /$rDe Jonge -- $tChapter Seven. Rewriting The Classics. Dionysius And The Method Of Metathesis /$rDe Jonge -- $tChapter Eight. General Conclusion /$rDe Jonge -- $tSources /$rDe Jonge -- $tBibliography /$rDe Jonge -- $tIndex Of Greek Terms /$rDe Jonge -- $tIndex Locorum /$rDe Jonge -- $tGeneral Index /$rDe Jonge. 330 $aThe Greek rhetorician Dionysius of Halicarnassus was active in Augustan Rome. For a long time, modern scholars have regarded him as a rather mediocre critic, whose works were only interesting because of the references to earlier scholars and the citations of literary fragments. By interpreting Dionysius? views within the context of his rhetorical programme, this book shows that Dionysius was in fact an intelligent scholar, who combined theories and methods from various language disciplines and used them for his own practical purposes. His rhetorical writings not only inform us about the linguistic knowledge of intellectuals at the end of the first century BC, but also demonstrate the close connections between philology, technical grammar, philosophy, music studies and rhetoric. 410 0$aMnemosyne, Supplements$v301. 606 $aFilologie$2gtt 606 $aGrieks$2gtt 606 $aGreek language$xGrammar 606 $aRhetoric, Ancient 615 17$aFilologie. 615 17$aGrieks. 615 0$aGreek language$xGrammar. 615 0$aRhetoric, Ancient. 676 $a882/.01 686 $a18.43$2bcl 686 $a02.01$2bcl 700 $aJonge$b Casper Constantijn de$f1977-$01224581 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a996237239803316 996 $aBetween grammar and rhetoric$92843031 997 $aUNISA LEADER 05515nam 2200733Ia 450 001 9910141253803321 005 20230801223623.0 010 $a1-118-25387-6 010 $a1-78268-971-0 010 $a1-283-64425-8 010 $a1-118-25390-6 010 $a1-118-25391-4 010 $a1-118-25389-2 010 $a1-118-25392-2 035 $a(CKB)2670000000210709 035 $a(EBL)948831 035 $a(OCoLC)797917971 035 $a(SSID)ssj0000695164 035 $a(PQKBManifestationID)11403153 035 $a(PQKBTitleCode)TC0000695164 035 $a(PQKBWorkID)10670602 035 $a(PQKB)10431707 035 $a(MiAaPQ)EBC3058748 035 $a(MiAaPQ)EBC948831 035 $a(Au-PeEL)EBL3058748 035 $a(CaPaEBR)ebr10587602 035 $a(OCoLC)922954914 035 $a(EXLCZ)992670000000210709 100 $a20120417d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 02$aA companion to rock art$b[electronic resource] /$fedited by Jo McDonald and Peter Veth 210 $aHoboken, New Jersey $cWiley-Blackwell$d2012 215 $a1 online resource (738 p.) 225 1 $aWiley Blackwell Companions to Anthropology 300 $aDescription based upon print version of record. 311 $a1-4443-3424-7 320 $aIncludes bibliographical references and index. 327 $aA Companion to Rock Art; List of Plates; List of Figures; List of Tables; Notes on Contributors; Foreword: Redefining the Mainstream with Rock Art; CHAPTER 1: Research Issues and New Directions: One Decade into the New Millennium; PART I: Explanatory Frameworks: New Insights; CHAPTER 2: Rock Art and Shamanism; CHAPTER 3: Pictographs, Patterns, and Peyote in the Lower Pecos Canyonlands of Texas; CHAPTER 4: Variation in Early Paintings and Engravings; PART II: Inscribed Landscapes; CHAPTER 5: Rock Art and Seascapes 327 $aCHAPTER 6: The Social Dynamics of Aggregation and Dispersal in the Western DesertCHAPTER 7: Rock Art and Transformed Landscapes in Puerto Rico; PART III: Rock Art at the Regional Level; CHAPTER 8: Megalithic Rock Art of the Mediterranean and Atlantic Seaboard Europe; CHAPTER 9: North American-Siberian Connections: Regional Rock Art Patterning Using Multivariate Statistics; CHAPTER 10: Southern Melanesian Rock Art: The New Caledonian Case; CHAPTER 11: Rock Art Research in India: Historical Approaches and Recent Theoretical Directions; PART IV: Engendered Approaches 327 $aCHAPTER 12: Engendering Rock ArtCHAPTER 13: Pictures of Women: The Social Context of Australian Rock Art Production; CHAPTER 14: Engendering North European Rock Art: Bodies and Cosmologies in Stone and Bronze Age Imagery; PART V: Form, Style, and Aesthetics in Rock Art; CHAPTER 15: Understanding Pleistocene Rock Art: An Hermeneutics of Meaning; CHAPTER 16: Rock "Art" and Art: Why Aesthetics Should Matter; CHAPTER 17: Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective; CHAPTER 18: A Theoretical Approach to Style in Levantine Rock Art 327 $aPART VI: Contextualizing Rock ArtCHAPTER 19: Rock Art in Situ: Context and Content as Keys to Meaning; CHAPTER 20: Symbolic Discontinuities: Rock Art and Social Changes across Time and Space; CHAPTER 21: Parietal Art and Archaeological Context: Activities of the Magdalenians in the Cave of Tuc d'Audoubert, France; CHAPTER 22: Rock Art, Inherited Landscapes, and Human Populations in Southern Patagonia; PART VII: The Mediating Role of Rock Art; CHAPTER 23: When Worlds Collide Quietly: Rock Art and the Mediation of Distance 327 $aCHAPTER 24: Picturing Change and Changing Pictures: Contact Period Rock Art of AustraliaPART VIII: Rock Art, Identity, and Indigeneity; CHAPTER 25: Rock Art, Identity, and Indigeneity; CHAPTER 26: Shamanism in Indigenous Context: Understanding Siberian Rock Art; CHAPTER 27: Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia; PART IX: Rock Art Management and Interpretation; CHAPTER 28: Rock Art and the UNESCO World Heritage List; CHAPTER 29: Safeguarding a Fragile Legacy: Managing uKhahlamba-Drakensberg Rock Art; CHAPTER 30: Managing Rock Art Sites 327 $aCHAPTER 31: From Discovery to Commoditization: Rock Art Management in Remote Australia 330 $aThis unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new dir 410 0$aBlackwell companions to anthropology. 606 $aPetroglyphs$vHandbooks, manuals, etc 606 $aRock paintings$vHandbooks, manuals, etc 615 0$aPetroglyphs 615 0$aRock paintings 676 $a709.01/13 686 $aSOC003000$2bisacsh 701 $aMcDonald$b Jo$g(Josephine)$0801554 701 $aVeth$b Peter Marius$0871582 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910141253803321 996 $aA companion to rock art$91945602 997 $aUNINA LEADER 04357nam 2200757 450 001 9910809539403321 005 20220201181737.0 010 $a3-03821-478-7 010 $a9783038214786$b(electronic bk.) 024 7 $a10.1515/9783038214786 035 $a(CKB)3460000000133031 035 $a(EBL)1652222 035 $a(SSID)ssj0001401755 035 $a(PQKBManifestationID)12529131 035 $a(PQKBTitleCode)TC0001401755 035 $a(PQKBWorkID)11351986 035 $a(PQKB)10334317 035 $a(MiAaPQ)EBC1652222 035 $a(DE-B1597)213416 035 $a(OCoLC)882948609 035 $a(OCoLC)898769660 035 $a(DE-B1597)9783038214786 035 $a(Au-PeEL)EBL1652222 035 $a(CaPaEBR)ebr11006233 035 $a(CaONFJC)MIL809017 035 $a(PPN)258102160 035 $a(EXLCZ)993460000000133031 100 $a20141118h20142014 uy| 0 101 0 $aeng 135 $aur|n|---a|||| 181 $ctxt 182 $cc 183 $acr 200 10$aDaylighting design $eplanning strategies and best practice solutions /$fby Mohamed Boubekri ; with an introduction by Christian Bartenbach and Mohamed Boubekri 210 1$aBasel :$cBirkha?user,$d[2014] 210 4$d©2014 215 $a1 online resource (176 p.) 300 $aDescription based upon print version of record. 311 $a3-7643-7728-3 320 $aIncludes bibliographical references and index. 327 $aEconomics of daylighting -- Daylighting and health -- Daylighting metrics -- Daylighting performance of side-wall windows -- Strategies and systems performance -- Case studies. 330 $aFor thousands of years people have aligned their homes with the sun. This tendency decreased with the availability of artificial light. Yet, due to the health effects of artificial light as well as rising energy costs, the issue of designing with daylight is of great importance again today. The primary objective of daylight systems is to make maximum use of daylight for certain building types and climates. The book documents the various dimensions of the optimum use of daylight with particular reference to window orientation, light distribution, and prism technology, and discusses the health and economic related aspects. In the final chapter, existing design concepts are documented in detail, including the expansion of the Art Institute of Chicago Museum in the United States by Renzo Piano Building Workshop,Terminal 3 of the Changi Airport in Singapore by Skidmore, Owings & Merrill, and the Clever House in Germany by Behnisch Architekten. 330 $aÜber Jahrtausende hinweg haben Menschen ihre Häuser nach der Sonne ausgerichtet. Mit der Verfügbarkeit von künstlichem Licht geriet dies zunehmend aus dem Blick. Angesichts der gesundheitlichen Auswirkungen des Kunstlichts einerseits, steigender Energiekosten andererseits ist das Thema der Tageslichtplanung heute jedoch wieder von großer Bedeutung. Das vorrangige Ziel von Tageslichtsystemen besteht darin, für bestimmte Gebäudetypen und Klimaverhältnisse Tageslicht maximal zu nutzen. Das Buch dokumentiert mit besonderem Bezug auf Fensterorientierung, Lichtverteilung und Prismentechnik die verschiedenen Dimensionen der optimalen Tageslichtnutzung und geht dabei auch auf die gesundheitlichen und ökonomischen Aspekte ein. In einem abschließenden Kapitel werden konkrete Gestaltungskonzepte detailliert dokumentiert, u.a. die Erweiterung des Art Institute of Chicago Museum, USA, von Renzo Piano Building Workshop und der Terminal 3 des Changi Airport, Singapore, von Skidmore, Owings & Merrill. 606 $aDaylighting 606 $aLight in architecture 606 $alighting$9eng$2eurovoc 606 $abuilding$9eng$2eurovoc 606 $aarchitecture$9eng$2eurovoc 606 $asolar architecture$9eng$2eurovoc 615 0$aDaylighting. 615 0$aLight in architecture. 615 7$alighting 615 7$abuilding 615 7$aarchitecture 615 7$asolar architecture 676 $a729/.28 686 $aZH 8900$2rvk 686 $a68.24$2EP-CLASS 700 $aBoubekri$b Mohamed$f1959-$01599867 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809539403321 996 $aDaylighting design$93922731 997 $aUNINA