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100   $a20080401d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe choruses of Sophokles' Antigone and Philoktetes$b[electronic resource] $ea dance of words /$fby Margaret Rachel Kitzinger
210   $aLeiden ;$aBoston $cBrill$d2008
215   $a1 online resource (156 p.)
225 1 $aMnemosyne, bibliotheca classica Batava. Monographs on Greek and Roman language and literature,$x0169-8958 ;$vv. 292
300   $aDescription based upon print version of record.
311   $a90-04-16514-2 
320   $aIncludes bibliographical references (p. [139]-142) and index.
327   $tPreliminary Materials /$rMargaret Rachel Kitzinger -- $tChapter One. Antigone /$rMargaret Rachel Kitzinger -- $tChapter Two. Philoktetes /$rMargaret Rachel Kitzinger -- $tEpilogue /$rMargaret Rachel Kitzinger -- $tBibliography /$rMargaret Rachel Kitzinger -- $tIndex /$rMargaret Rachel Kitzinger.
330   $aDance of Words argues for a fundamental difference in the modes of expression of actor and chorus. The chorus views the action from the perspective of dancers and singers, while the actors' understanding is shaped by the responsibility they have to make things happen. While this responsibility fashions the actors' considerations of cause and effect, linear movement through time and space, and a sense of history, the chorus' sensibilities arise out of the rhythms of its song and movements. Its mode of expression is a particular way of communicating and elaborating on man's place in the larger order, and its view of the action is bounded by the way that song and dance mirror that order.
410  0$aMnemosyne, bibliotheca classica Batava.$pSupplementum.$pMonographs on Greek and Roman language and literature ;$vv. 292.
606   $aDrama$xChorus (Greek drama)
615  0$aDrama$xChorus (Greek drama)
676   $a880.09
700   $aKitzinger$b Rachel$f1948-$0852242
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906   $aBOOK
912   $a996237238803316
996   $aThe choruses of Sophokles' Antigone and Philoktetes$92703317
997   $aUNISA