LEADER 01892nas 2200589-a 450 001 996221349203316 005 20230330001733.0 011 $a2044-9887 035 $a(CKB)3270000000000030 035 $a(CONSER)--2006205936 035 $a(DE-599)ZDB2592493 X 035 $a(EXLCZ)993270000000000030 100 $a20060417a20009999 --- a 101 0 $aeng 135 $aur|n||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aArbitration law reports and review$b[electronic resource] 210 $aOxford ;$aNew York $cOxford University Press$d2005- 215 $a1 online resource 311 08$aPrint version: Arbitration law reports and review. 2044-8651 (DLC) 2006205936 (OCoLC)66899818 606 $aArbitration and award$zEngland$vPeriodicals 606 $aArbitration and award$zWales$vPeriodicals 606 $aArbitration and award$zEngland$vCases 606 $aArbitration and award$zWales$vCases 606 $aArbitrage$2eclas 606 $aJurisprudence$2eclas 606 $aAnnuaires$2eclas 606 $aArbitration and award$2fast$3(OCoLC)fst00812768 607 $aRoyaume-Uni$2eclas 607 $aEngland$2fast 607 $aWales$2fast 608 $aperiodicals.$2aat 608 $aPeriodicals.$2fast 608 $aTrials, litigation, etc.$2fast 608 $aPeriodicals.$2lcgft 608 $aPériodiques.$2rvmgf 615 0$aArbitration and award 615 0$aArbitration and award 615 0$aArbitration and award 615 0$aArbitration and award 615 7$aArbitrage. 615 7$aJurisprudence. 615 7$aAnnuaires. 615 7$aArbitration and award. 676 $a347.4209 906 $aJOURNAL 912 $a996221349203316 920 $aexl_impl conversion 996 $aArbitration law reports and review$92373260 997 $aUNISA LEADER 02852oam 2200409 450 001 9910291737603321 005 20230621140752.0 010 $a9789461662507 010 $a9461662505 010 $z9789462701380 010 $z9462701385 035 $a(CKB)4100000007109387 035 $a(EXLCZ)994100000007109387 100 $a20181111d2018 fy 0 101 0 $aeng 135 $aurm|#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLogic of experimentation $erethinking music performance through artistic research /$fPaulo de Assis 210 1$aLeuven, Belgium :$cLeuven University Press,$d2018. 215 $a1 online resource (254 pages) $cPDF, digital file(s) 225 1 $aOrpheus Institute series 311 08$aPrint version: 9789461662507 320 $aIncludes bibliographical references and index. 330 $a"Beyond interpretation: a proposal for experimental performance practices Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance?be it mainstream or historically informed performance practices?Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research. An indispensable contribution to artistic research in music, Logic of Experimentation is compelling reading for music performers, composers, musicologists, philosophers and artist researchers alike." 410 0$aOrpheus Institute series. 606 $aMusic$xPerformance 606 $aMusic$xPhilosophy and aesthetics 615 0$aMusic$xPerformance. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a781.43 700 $aAssis$b Paulo de$0953419 801 2$bUkMaJRU 912 $a9910291737603321 996 $aLogic of experimentation$92155577 997 $aUNINA