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200 14$aThe martial arts cinema of the Chinese diaspora$b[electronic resource] $eAng Lee, John Woo, and Jackie Chan in Hollywood /$fKin-Yan Szeto
210   $aCarbondale $cSouthern Illinois University Press$d2011
215   $a1 online resource (185 p.)
300   $aDescription based upon print version of record.
311   $a0-8093-3021-0 
320   $aIncludes bibliographical references and index.
327   $aIntroduction : cosmopolitical consciousness and martial arts cinema -- The martial arts cinema of the Chinese diaspora and Hollywood -- Ang Lee's Crouching tiger, hidden dragon in a cosmopolitical perspective -- Facing off east and west in the cinema of John Woo -- Jackie Chan's transnational film trajectory and politics of comic displacement -- Conclusion.
330   $aIn The Martial Arts Cinema of the Chinese Diaspora, Kin-Yan Szeto critically examines three of the most internationally famous martial arts film artists to arise out of the Chinese diaspora and travel far from their homelands to find commercial success in the world at large: Ang Lee, John Woo, and Jackie Chan. Positing the idea that these filmmakers' success is evidence of a ""cosmopolitical awareness"" arising from their cross-cultural ideological engagements and geopolitical displacements, Szeto demonstrates how this unique perspective allows these three filmmakers to develop and
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