LEADER 04063nam 2200649 450 001 996218365903316 005 20230725033141.0 010 $a0-19-180843-1 010 $a1-280-77730-3 010 $a9786613687692 010 $a0-19-161094-1 035 $a(CKB)2670000000166457 035 $a(EBL)777003 035 $a(OCoLC)781614486 035 $a(SSID)ssj0000623692 035 $a(PQKBManifestationID)12237936 035 $a(PQKBTitleCode)TC0000623692 035 $a(PQKBWorkID)10656532 035 $a(PQKB)10026740 035 $a(StDuBDS)EDZ0001101001 035 $a(MiAaPQ)EBC777003 035 $a(MiAaPQ)EBC5825831 035 $a(MiAaPQ)EBC7038946 035 $a(Au-PeEL)EBL7038946 035 $a(EXLCZ)992670000000166457 100 $a20190729d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAncient drama in music for the modern stage /$fedited by Peter Brown and Suzana Ograjens?ek 210 1$aOxford :$cOxford University Press,$d[2010] 210 4$dİ2010 215 $a1 online resource (479 p.) 300 $aDescription based upon print version of record. 311 $a0-19-967930-4 311 $a0-19-955855-8 320 $aIncludes bibliographical references (pages [399]-424) and index. 327 $aContents; Illustrations; Contributors; Note to the Reader; 1. Precursors, Precedents, Pretexts: The Institutions of Greco-Roman Theatre and the Development of European Opera; 2. Greek Tragedy and Opera: Notes on a Marriage Manque?; 3. Incidental Music and the Revival of Greek Tragedy from the Italian Renaissance to German Romanticism; 4. Phaedra's Handmaiden: Tragedy as Comedy and Spectacle in Seventeenth-Century Opera; 5. Dance in Lully's Alceste; 6. The Ghost of Alcestis; 7. The Rise and Fall of Andromache on the Operatic Stage, 1660s-1820s 327 $a8. Opera Librettos and Greek Tragedy in Eighteenth-Century Venice: The Case of Agostino Piovene9. Ancient Tragedy in Opera, and the Operatic Debut of Oedipus the King (Munich, 1729); 10. Establishing a Text, Securing a Reputation: Metastasio's Use of Aristotle; 11. The Gods out of the Machine . . . and their Comeback; 12. Who Killed Gluck?; 13. The Metamorphosis of a Greek Comedy and its Protagonist: Some Musical Versions of Aristophanes' Lysistrata; 14. Taneyev's Oresteia; 15. Crossings of Experimental Music and Greek Tragedy 327 $a16. The Action Drama and the Still Life: Enescu, Stravinsky, and Oedipus17. Sing Evohe! Three Twentieth-Century Operatic Versions of Euripides' Bacchae; 18. Re-staging the Welttheater: A Critical View of Carl Orff 's Antigonae and Oedipus der Tyrann; 19. 'Batter the Doom Drum': The Music for Peter Hall's Oresteia and Other Productions of Greek Tragedy by Harrison Birtwistle and Judith Weir; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z 330 $aOpera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the twogenres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume 606 $aOpera$xClassical influences 606 $aGreek drama$xModern presentation 615 0$aOpera$xClassical influences. 615 0$aGreek drama$xModern presentation. 676 $a782.109 702 $aBrown$b Peter$f1945 August 5- 702 $aOgrajens?ek$b Suzana 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996218365903316 996 $aAncient drama in music for the modern stage$9259123 997 $aUNISA