LEADER 04110nam 22007332 450 001 996217493103316 005 20210208090132.0 010 $a90-485-0544-5 010 $a1-280-95814-6 010 $a9786610958146 010 $a1-4237-0964-0 024 7 $a10.1515/9789048505449 035 $a(CKB)1000000000210147 035 $a(EBL)420255 035 $a(OCoLC)60759654 035 $a(SSID)ssj0000122307 035 $a(PQKBManifestationID)11135955 035 $a(PQKBTitleCode)TC0000122307 035 $a(PQKBWorkID)10122396 035 $a(PQKB)10660351 035 $a(SSID)ssj0000357853 035 $a(PQKBManifestationID)12080044 035 $a(PQKBTitleCode)TC0000357853 035 $a(PQKBWorkID)10358941 035 $a(PQKB)20707814 035 $a(CaONFCNI)ny0355857 035 $a(WaSeSS)IndRDA00056469 035 $a(DE-B1597)532935 035 $a(OCoLC)1062910290 035 $a(DE-B1597)9789048505449 035 $a(UkCbUP)CR9789048505449 035 $a(Au-PeEL)EBL420255 035 $a(CaPaEBR)ebr10106666 035 $a(CaONFJC)MIL95814 035 $a(MiAaPQ)EBC420255 035 $a(EXLCZ)991000000000210147 100 $a20210107d2005|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCinephilia $emovies, love and memory /$fedited by Marijke de Valck and Malte Hagener$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2005. 215 $a1 online resource (236 pages) $cdigital, PDF file(s) 225 1 $aFilm culture in transition 300 $aTitle from publisher's bibliographic system (viewed on 05 Feb 2021). 311 $a90-5356-768-2 311 $a90-5356-769-0 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgements --$tIntroduction --$tDown with Cinephilia? Long Live Cinephilia? And Other Videosyncratic Pleasures /$rValck, Marijke de / Hagener, Malte --$tI. The Ramifications of Cinephilia: Theory and History --$tCinephilia or the Uses of Disenchantment /$rElsaesser, Thomas --$tDreams of Lost Time /$rSingkhra, Sutanya --$tMass Memories of Movies /$rRobnik, Drehli --$tLove in the Time of Transcultural Fusion /$rNg, Jenna --$tII. Technologies of Cinephilia: Production and Consumption --$tRemastering Hong Kong Cinema /$rLeary, Charles --$tDrowning in Popcorn at the International Film Festival Rotterdam? /$rValck, Marijke de --$tRavenous Cinephiles /$rBehlil, Melis --$tRe-disciplining the Audience /$rStrauven, Wanda --$tThe Original Is Always Lost /$rHediger, Vinzenz --$tIII. Techniques of Cinephilia: Bootlegging and Sampling --$tThe Future of Anachronism /$rGorfinkel, Elena --$tConceptual Cinephilia /$rHilderbrand, Lucas --$tPlaying the Waves /$rSimons, Jan --$tThe Parenthesis and the Standard /$rWindhausen, Federico --$tThe Secret Passion of the Cinephile /$rPol, Gerwin van der --$tBiographies --$tIndex of Names --$tIndex of Film Titles 330 $aThey obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as Franois Truffaut's Hitchcock; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike. 410 0$aFilm culture in transition. 606 $aMotion pictures 615 0$aMotion pictures. 676 $a791.43 702 $aValck$b Marijke de 702 $aHagener$b Malte$f1971- 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996217493103316 996 $aCinephilia$91802156 997 $aUNISA