LEADER 03493nam 2200625 450 001 996215644203316 005 20230803221048.0 010 $a0-19-150933-7 010 $a0-19-176504-X 035 $a(CKB)2550000001243844 035 $a(EBL)3056106 035 $a(OCoLC)871172450 035 $a(SSID)ssj0001159437 035 $a(PQKBManifestationID)11634799 035 $a(PQKBTitleCode)TC0001159437 035 $a(PQKBWorkID)11115590 035 $a(PQKB)11023612 035 $a(StDuBDS)EDZ0000226337 035 $a(MiAaPQ)EBC3056106 035 $a(EXLCZ)992550000001243844 100 $a20140308h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGraffiti and the literary landscape in Roman pompeii /$fProf. Kristina Milnor 205 $aFirst edition. 210 1$aOxford :$cOxford University Press,$d2014. 215 $a1 online resource (338 p.) 300 $aDescription based upon print version of record. 311 $a0-19-968461-8 311 $a1-306-46072-7 320 $aIncludes bibliographical references and index. 327 $a""Cover""; ""Graffiti and the Literary Landscape in Roman Pompeii""; ""Copyright""; ""Dedication""; ""Preface""; ""Contents""; ""List of Illustrations""; ""List of Plates""; ""Introduction""; ""MATERIAL MATTERS""; ""SPEAKING AND WRITING""; ""WHATa???S a???LITERARYa??? ABOUT LITERARY GRAFFITI?""; ""1: Landscape and Literature in the Roman City""; ""AUTHORSHIP AND AUTHORITY""; ""BETWEEN EPITAPH AND EPIGRAM""; ""IMAGE AND TEXT IN THE POMPEIAN CITYSCAPE""; ""2: Poetic Politics, Political Poetics""; ""POETIC POLITICS""; ""POLITICAL POETICS""; ""3: Authorship, Appropriation, Authenticity"" 327 $a""TIBURTINUS AND a???THE AUTHOR EFFECTa???""""NAMING NAMES: IDENTITY AND EPISTOLOGRAPHY IN POMPEIAN GRAFFITI""; ""FRAGMENTARY THINKING, SPEAKING, AND WRITING""; ""4: Gender and Genre: The Case of CIL 4. 5296""; ""NO PLACE FOR A WOMAN: IN SEARCH OF THE FEMALE VOICE OF CIL 4. 5296""; ""METER AND MATERIAL""; ""LOVE, SEX, MATERIALITY""; ""APPENDIX 4.1: ON THE LOCATION OF CIL 4. 5296""; ""5: A Culture of Quotation: Virgil, Education, and Literary Ownership""; ""ARMS AND THE MAN""; ""SPEAKING OUT""; ""APPENDIX 5.1: QUOTATIONS FROM VIRGIL ON POMPEIAN WALLS""; ""Aeneid""; ""Eclogues""; ""Georgics"" 327 $a""Conclusion""""Works Cited""; ""Index of Sources""; ""General Index"" 330 8 $aKristina Milnor considers how the fragments of textual graffiti which survive on the walls of the Roman city of Pompeii reflect and refract the literary world from which they emerged. She then looks in detail at the role and nature of 'popular' literature in the early Roman Empire and the place of poetry in the Pompeian cityscape. 606 $aGraffiti$zItaly$zPompeii (Extinct city) 606 $aLatin poetry$xHistory and criticism 606 $aInscriptions, Latin$zItaly$zPompeii (Extinct city) 607 $aPompeii (Extinct city)$xIntellectual life 607 $aPompeii (Extinct city)$xCivilization 615 0$aGraffiti 615 0$aLatin poetry$xHistory and criticism. 615 0$aInscriptions, Latin 676 $a870.993772568 700 $aMilnor$b Kristina$0624684 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996215644203316 996 $aGraffiti and the literary landscape in Roman Pompeii$91869567 997 $aUNISA