LEADER 01315nas 2200445-a 450 001 996211423703316 005 20240413021557.0 035 $a(CKB)963018090732 035 $a(CONSER)---94645137- 035 $a(EXLCZ)99963018090732 100 $a19810512b19812005 --- a 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBondweek $ea publication of Institutional Investor 210 $aNew York, N.Y. $cWall Street Letter$dİ1981- 215 $a1 online resource 300 $aTitle from masthead. 311 08$aPrint version: Bondweek : 0278-8896 (DLC) 94645137 (OCoLC)7410088 517 3 $aBond week 531 $aBONDWEEK THE NEWSWEEKLY OF FIXED INCOME AND CREDIT MARKETS 531 0 $aBondweek 606 $aFinance$vPeriodicals 606 $aBonds$vPeriodicals 606 $aBonds$2fast$3(OCoLC)fst00835887 606 $aFinance$2fast$3(OCoLC)fst00924349 608 $aPeriodicals.$2fast 608 $aPeriodicals.$2lcgft 615 0$aFinance 615 0$aBonds 615 7$aBonds. 615 7$aFinance. 676 $a332/.05 712 02$aInstitutional Investor (Firm) 906 $aJOURNAL 912 $a996211423703316 920 $aexl_impl conversion 996 $aBondweek$92387935 997 $aUNISA LEADER 02827oam 2200697I 450 001 9910957415103321 005 20251116193005.0 010 $a1-136-41220-4 010 $a0-415-25830-8 010 $a1-315-01305-3 010 $a1-136-41213-1 024 7 $a10.4324/9781315013053 035 $a(CKB)2550000001131130 035 $a(EBL)1474440 035 $a(OCoLC)870591174 035 $a(SSID)ssj0001037632 035 $a(PQKBManifestationID)12424305 035 $a(PQKBTitleCode)TC0001037632 035 $a(PQKBWorkID)11047379 035 $a(PQKB)10076515 035 $a(MiAaPQ)EBC1474440 035 $a(Au-PeEL)EBL1474440 035 $a(CaPaEBR)ebr10786588 035 $a(CaONFJC)MIL530839 035 $a(OCoLC)861199742 035 $a(OCoLC)1160528186 035 $a(FINmELB)ELB135896 035 $a(EXLCZ)992550000001131130 100 $a20180706d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aPopular theatre $ea sourcebook /$fedited by Joel Schechter 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2003. 215 $a1 online resource (296 p.) 225 1 $aWorlds of performance 225 0$aWorlds of performance 300 $aDescription based upon print version of record. 311 08$a0-415-25829-4 311 08$a1-299-99588-8 320 $aIncludes bibliographical references and index. 327 $apart I. What is popular theatre? -- part II. Puppets from Bread and Puppet Theatre to Bunraku and Broadway -- part III. Masks : commedia dell'arte and topeng -- part Ivolume Circus, clowns and jesters -- part volume Cabaret, vaudeville and the Fun Palace -- part VI. Political theatre as popular entertainment. 330 $aBertolt Brecht turned to cabaret; Ariane Mnouchkine went to the circus; Joan Littlewood wanted to open a palace of fun. These were a few of the directors who turned to popular theatre forms in the last century, and this sourcebook accounts for their attraction.
Popular theatre forms introduced in this sourcebook include cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy. These entertainments are highly visual, itinerant, and readily understood by audiences. Popular Theatre: A Sourcebook follows them around the world, from the bunraku puppetry 410 0$aWorlds of Performance 606 $aTheater 606 $aTheater and society 615 0$aTheater. 615 0$aTheater and society. 676 $a792 686 $a24.13$2bcl 701 $aSchechter$b Joel$f1947-$01881775 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910957415103321 996 $aPopular theatre$94496590 997 $aUNINA