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101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 04$aThe Cambridge companion to blues and gospel music /$fedited by Allan Moore$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d2002.
215   $a1 online resource (xviii, 208 pages) $cdigital, PDF file(s)
225 1 $aCambridge companions to music
300   $aTitle from publisher's bibliographic system (viewed on 09 Nov 2015).
311   $a0-521-00107-2 
311   $a0-521-80635-6 
320   $aDiscography and videography: p. 202-204.
320   $aIncludes bibliographical references (p. 194-202) and index.
327   $tSurveying the field : our knowledge of blues and gospel music /$rAllan Moore --$tLabels : identifying categories of blues and gospel /$rJeff Todd Titon --$tThe development of the blues /$rDavid Evans --$tThe development of gospel music /$rDon Cusic --$tTwelve key recordings /$rGraeme M. Boone --$t"Black twice" : performance conditions for blues and gospel artists /$rSteve Tracy --$tVocal expression in the blues and gospel /$rBarb Jungr --$tThe guitar /$rMatt Backer --$tKeyboard techniques /$rAdrian York --$tImagery in the lyrics : an initial approach /$rGuido van Rijn --$tAppropriations of blues and gospel in popular music /$rDave Headlam.
330   $aFrom Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of twentieth-century culture. The styles in which they sang have proved hugely influential to generations of popular singers, from the wholesale adoptions of singers like Robert Cray or James Brown, to the subtler vocal appropriations of Mariah Carey. Their own music, and how it operates, is not, however, always seen as valid in its own right. This book provides an overview of both these genres, which worked together to provide an expression of twentieth-century black US experience. Their histories are unfolded and questioned; representative songs and lyrical imagery are analysed; perspectives are offered from the standpoint of the voice, the guitar, the piano, and also that of the working musician. The book concludes with a discussion of the impact the genres have had on mainstream musical culture.
410  0$aCambridge companions to music.
517 3 $aThe Cambridge Companion to Blues & Gospel Music
606   $aBlues (Music)$xHistory and criticism
606   $aGospel music$xHistory and criticism
615  0$aBlues (Music)$xHistory and criticism.
615  0$aGospel music$xHistory and criticism.
676   $a781.643
702   $aMoore$b Allan F.
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a996210505003316
996   $aThe Cambridge companion to blues and gospel music$92574077
997   $aUNISA