LEADER 03135nam 22005172 450 001 996210335803316 005 20151109030845.0 010 $a1-139-81514-8 010 $a1-139-00219-8 035 $a(CKB)2670000000147298 035 1 $aMAHS93B275 035 1 $zDCLC9124533B 035 $a(MH)002723280-8 035 $a(SSID)ssj0000588139 035 $a(PQKBManifestationID)11941189 035 $a(PQKBTitleCode)TC0000588139 035 $a(PQKBWorkID)10644525 035 $a(PQKB)10039027 035 $a(UkCbUP)CR9781139002196 035 $a(EXLCZ)992670000000147298 100 $a20110114d1992|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Cambridge companion to Chopin /$fedited by Jim Samson$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d1992. 215 $a1 online resource (xi, 341 pages) $cdigital, PDF file(s) 225 1 $aCambridge companions to music 300 $aTitle from publisher's bibliographic system (viewed on 09 Nov 2015). 311 $a0-521-47752-2 311 $a0-521-40490-8 320 $aIncludes bibliographical references (p. 333-334) and index. 327 $aThe growth of a style. Piano music and the public concert 1800-1850 / Janet Ritterman -- The nocturne : development of a new style / David Rowland -- The twenty-seven etudes and their antecedents / Simon Finlow -- Tonal architecture in the early music / John Rink -- Profiles of the music. Extended forms : the ballades, scherzos and fantasies / Jim Samson -- Small 'forms' : in defence of the prelude / Jeffrey Kallberg -- Beyond the dance / Adrian Thomas -- The sonatas / Anatole Leikin -- Reception. Chopin in performance / James Methuen-Campbell -- Chopin reception in nineteenth-century Poland / Zofia Chechlin?ska -- Victorian attitudes to Chopin -- Derek Carew -- Chopin's influence on the fin de sie?cle and beyond / Roy Howat. 330 $aThe Cambridge Companion to Chopin provides the enquiring music-lover with helpful insights into a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. Twelve essays by leading Chopin scholars make up three parts. Part 1 discusses the sources of Chopin's style in the music of his predecessors and the social history of the period. Part 2 profiles the mature music, and Part 3 considers the afterlife of the music - its reception, its criticism and its compositional influence in the works of subsequent composers. 410 0$aCambridge companions to music. 676 $a786.2/092 702 $aSamson$b Jim 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996210335803316 996 $aThe Cambridge companion to Chopin$92576029 997 $aUNISA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress