LEADER 03192nam  22004812  450 
001 996210333603316
005 20151109030845.0
010   $a1-107-48468-5
010   $a1-139-00215-5
035   $a(CKB)2670000000147303
035   $a(SSID)ssj0000588131
035   $a(PQKBManifestationID)11373327
035   $a(PQKBTitleCode)TC0000588131
035   $a(PQKBWorkID)10645480
035   $a(PQKB)10109161
035   $a(UkCbUP)CR9781139002158
035   $a(PPN)243474423
035   $a(EXLCZ)992670000000147303
100   $a20110114d1997||||  uy|            0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 04$aThe Cambridge companion to Bach /$fedited by John Butt$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d1997.
215   $a1 online resource (xv, 326 pages) $cdigital, PDF file(s)
225 1 $aCambridge companions to music
300   $aTitle from publisher's bibliographic system (viewed on 09 Nov 2015).
311   $a0-521-58780-8 
311   $a0-521-45350-X 
327   $tHistorical context : society, beliefs and world-view:$tBach family /$rMalcolm Boyd.$tBach and the domestic politics of electoral Saxony /$rUlrich Siegele.$tMusic and Lutheranism /$rRobin A. Leaver.$tBach's metaphysics of music ;$t'Mind unconscious that it is calculating'? Bach and the rationalist philosophy of Wolff, Leibniz and Spinoza /$rJohn Butt --$tProfiles of the music:$tEarly works and the heritage of the seventeenth century /$rStephen A. Crist.$tMature vocal works and their theological and liturgical context /$rRobin A. Leaver.$tInstrumental music /$rWerner Breig.$tKeyboard works : Bach as teacher and virtuoso /$rRichard D.P. Jones.$tComposition as arrangement and adaptation /$rWerner Breig.$tBachian invention and its mechanisms /$rLaurence Dreyfus --$tInfluence and reception:$tBach as teacher and model /$rStephen Daw.$tChanging issues of performance practice /$rGeorge B. Stauffer.$tBach reception : some concepts and parameters ;$tReinterpreting Bach in the nineteenth and twentieth centuries /$rMartin Zenck.
330   $aThe Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.
410  0$aCambridge companions to music.
676   $a780/.92
676   $aB
702   $aButt$b John
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a996210333603316
996   $aThe Cambridge companion to Bach$92576027
997   $aUNISA