LEADER 03946nam 22005772 450 001 996210330203316 005 20151109030845.0 010 $a1-107-48494-4 010 $a1-139-00211-2 035 $a(CKB)2670000000147308 035 1 $aMAHS99B523 035 1 $zNXXA99B643 035 $a(MH)007928349-7 035 $a(SSID)ssj0000588171 035 $a(PQKBManifestationID)11409134 035 $a(PQKBTitleCode)TC0000588171 035 $a(PQKBWorkID)10645890 035 $a(PQKB)10826845 035 $a(UkCbUP)CR9781139002110 035 $a(EXLCZ)992670000000147308 100 $a20110114d1998|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Cambridge companion to the organ /$fedited by Nicholas Thistlethwaite and Geoffrey Webber$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d1998. 215 $a1 online resource (xiv, 340 pages) $cdigital, PDF file(s) 225 1 $aCambridge companions to music 300 $aTitle from publisher's bibliographic system (viewed on 09 Nov 2015). 311 $a0-521-57584-2 311 $a0-521-57309-2 320 $aIncludes bibliographical references (p. 322-331) and index. 327 $tOrigins and development of the organ /$rNicholas Thistlethwaite --$tOrgan construction /$rStephen Bicknell --$tPhysics of the organ /$rJohn Mainstone --$tTemperament and pitch /$rChristopher Kent --$tOrgan case ;$tOrgan building today /$rStephen Bicknell --$tFundamentals of organ playing ;$tSurvey of historical performance practices /$rKimberly Marshall --$tOrgan music and the liturgy /$rEdward Higginbottom --$tItalian organ music to Frescobaldi /$rChristopher Stembridge --$tIberian organ music before 1700 /$rJames Dalton --$tFrench classical organ school /$rEdward Higginbottom --$tEnglish organ music to c1700 /$rGeoffrey Cox --$tCatholic Germany and Austria 1648-c1800 /$rPatrick Russill --$tNorth German organ school /$rGeoffrey Webber --$tOrgan music of J.S. Bach /$rDavid Yearsley --$tGerman organ music after 1800 /$rGraham Barber --$tFrench and Belgian organ music after 1800 /$rGerard Brooks --$tBritish organ music after 1800 /$rAndrew McCrea --$tNorth American organ music after 1800 /$rDouglas Reed --$tModes (toni) and their attributes according to Zarlino /$rChristopher Stembridge. 330 $aThis Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions. 410 0$aCambridge companions to music. 606 $aOrgan (Musical instrument) 606 $aOrgan music$xHistory and criticism 615 0$aOrgan (Musical instrument) 615 0$aOrgan music$xHistory and criticism. 676 $a786.5 702 $aThistlethwaite$b Nicholas 702 $aWebber$b Geoffrey 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996210330203316 996 $aThe Cambridge companion to the organ$92580151 997 $aUNISA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress