LEADER 03893nam 22005292 450 001 996210324003316 005 20230608152702.0 010 $a9781139002028 (eBook) 035 $a(CKB)2670000000147321 035 $a(MH)010253533-7 035 $a(SSID)ssj0000588167 035 $a(PQKBManifestationID)11352805 035 $a(PQKBTitleCode)TC0000588167 035 $a(PQKBWorkID)10644844 035 $a(PQKB)11375656 035 $a(UkCbUP)CR9781139002028 035 $a(EXLCZ)992670000000147321 100 $a20110114d2003|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Cambridge companion to the guitar /$fedited by Victor Anand Coelho$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2003. 215 $a1 online resource (xiii, 264 pages) $cdigital, PDF file(s) 225 1 $aCambridge companions to music 300 $aTitle from publisher's bibliographic system (viewed on 09 Nov 2015). 311 0 $a9780521000406 (Paperback) 311 0 $a9780521801928 (Hardback.) 320 $aIncludes bibliographical references (p. 249-251) and indexes. 327 $apt. I. New guitar histories and world traditions. Picking through cultures: a guitarist's music history / Victor Anand Coelho -- Flamenco guitar: history, style, status / Peter Manuel -- The Celtic guitar: crossing cultural boundaries in the twentieth century / Christopher J. Smith -- African reinventions of the guitar / Banning Eyre. pt. II. Jazz, roots, and rock. The guitar in jazz / Graeme M. Boone -- A century of blues guitar / Jas Obrecht -- The turn to noise: rock guitar from the 1950s to the 1970s / Steve Waksman -- Contesting virtuosity: rock guitar since 1976 / Steve Waksman -- The guitar in country music / Gordon Ross. pt. III. Baroque and classical guitar today. Radical innovations, social revolution, and the baroque guitar / Craig H. Russell -- Perspectives on the classical guitar in the twentieth century / David Tanenbaum -- Antonio Stradivari and baroque guitar making / Stewart Pollens. 330 $aFrom the first mention in courtly poetry of the thirteenth century to enormous global popularity in the twentieth, the guitar and its development comprises multiple histories, each characterised by distinct styles, playing techniques, repertories and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions and western and non-western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring thirteen essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and differences between guitar traditions, and all styles, from baroque, classical, country, blues, and rock to flamenco, African, Celtic, and instrument making will share the same platform. As musical training is increasingly broadened this comprehensive book will become an indispensable resource. 410 0$aCambridge companions to music. 606 $aGuitar 606 $aGuitar$xPerformance 615 0$aGuitar. 615 0$aGuitar$xPerformance. 676 $a787.87 702 $aCoelho$b Victor 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996210324003316 996 $aThe Cambridge companion to the guitar$92576158 997 $aUNISA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress