LEADER 04024nam 22005532 450 001 996210323603316 005 20151109030845.0 010 $a1-107-48120-1 010 $a1-107-48591-6 010 $a1-139-00201-5 035 $a(CKB)2670000000147322 035 $a(MH)009292798-X 035 $a(SSID)ssj0000588140 035 $a(PQKBManifestationID)11409130 035 $a(PQKBTitleCode)TC0000588140 035 $a(PQKBWorkID)10645481 035 $a(PQKB)10939477 035 $a(UkCbUP)CR9781139002011 035 $a(EXLCZ)992670000000147322 100 $a20110114d2003|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Cambridge companion to conducting /$fedited by Jose? Antonio Bowen$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2003. 215 $a1 online resource (xviii, 346 pages) $cdigital, PDF file(s) 225 1 $aCambridge companions to music 300 $aTitle from publisher's bibliographic system (viewed on 09 Nov 2015). 311 $a0-521-52791-0 311 $a0-521-82108-8 320 $aIncludes bibliographical references (p. 324-340) and index. 327 $gPART I. PRACTICE --$tThe technique of conducting /$rRaymond Holden --$tConductors in rehearsal /$rCharles F. Barber --$tStudio conducting /$rMichael Haas --$tThe conductor and the soloist /$rJoseph Silverstein --$tChoral conducting /$rVance George --$tOpera conducting /$rSir Charles Mackerras --$tThe orchestra speaks /$rRobert L. Ripley --$gPART II. HISTORY --$tThe rise of conducting /$rJose? Antonio Bowen --$tThe central European tradition /$rJose Antonio Bowen,$rRaymond Holden --$tThe French tradition /$rDavid Cairns --$tThe Italian tradition /$rMichael Rose --$tThe American tradition /$rJose? Antonio Bowen,$rDavid Mermelstein --$tThe English tradition /$rStephen Johnson --$tThe Russian tradition /$rDavid Nice --$gPART III. ISSUES --$tThe conductor as artistic director /$rBramwell Tovey --$tWomen on the podium /$rJ. Michele Edwards --$tConducting early music /$rBernard D. Sherman --$tTraining conductors /$rHarold Farberman --$tThe composer-conductor and modern music /$rMartyn Brabbins --$tManagers and the business of conducting /$rStephen Wright --$tThe future of conducting /$rLeon Botstein. 330 $aIn this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time. 410 0$aCambridge companions to music. 606 $aConducting 606 $aConductors (Music) 615 0$aConducting. 615 0$aConductors (Music) 676 $a781.45 702 $aBowen$b Jose? Antonio 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996210323603316 996 $aThe Cambridge companion to conducting$92577362 997 $aUNISA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress