LEADER 04254nam 22005892 450 001 996210322603316 005 20151109030845.0 010 $a1-139-81649-7 010 $a1-139-00098-5 035 $a(CKB)2670000000147325 035 $a(MH)009426738-3 035 $a(SSID)ssj0000588168 035 $a(PQKBManifestationID)11341665 035 $a(PQKBTitleCode)TC0000588168 035 $a(PQKBWorkID)10644558 035 $a(PQKB)10626529 035 $a(UkCbUP)CR9781139000987 035 $a(EXLCZ)992670000000147325 100 $a20110114d2004|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe Cambridge companion to the Lied /$fedited by James Parsons$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2004. 215 $a1 online resource (xxxviii, 399 pages) $cdigital, PDF file(s) 225 1 $aCambridge companions to music 300 $aTitle from publisher's bibliographic system (viewed on 09 Nov 2015). 311 $a0-521-80471-X 311 $a0-521-80027-7 320 $aIncludes bibliographical references (p. 334-382) and index. 327 $gPART I : INTRODUCING A GENRE --$gIntroduction :$twhy the Lied? /$rJames Parsons --$tIn the beginning was poetry /$rJane K. Brown. 327 $gPART II : THE BIRTH AND EARLY HISTORY OF A GENRE IN THE AGE OF ENLIGHTENMENT --$tThe eighteenth-century Lied /$rJames Parsons --$tThe Lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven /$rAmanda Glauert. 327 $gPART III : THE NINETEENTH CENTURY: ISSUES OF STYLE AND DEVELOPMENT --$tThe Lieder of Schubert /$rMarie-Agnes Dittrich --$tThe early nineteenth-century song cycle /$rRuth O. Bingham --$tSchumann : reconfiguring the Lied /$rJu?rgen Thym --$tA multitude of voices : the Lied at mid century /$rJames Deaville --$tThe Lieder of Liszt /$rRena Charnin Mueller --$tThe Lieder of Brahms /$rHeather Platt --$tTradition and innovation : the Lieder of Hugo Wolf /$rSusan Youens --$tBeyond song : instrumental transformations and adaptations of the Lied from Schubert to Mahler /$rChristopher H. Gibbs. 327 $gPART IV : INTO THE TWENTIETH CENTURY --$tThe Lieder of Mahler and Richard Strauss /$rJames L. Zychowicz --$tThe Lied in the modern age : to mid century /$rJames Parsons. 327 $gPART V : RECEPTION AND PERFORMANCE --$tThe circulation of the Lied : the double life of an artwork and a commodity /$rDavid Gramit --$tThe Lied in performance /$rGraham Johnson. 330 $aBeginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography. 410 0$aCambridge companions to music. 606 $aSongs$zGermany$xHistory and criticism 606 $aSongs$zAustria$xHistory and criticism 615 0$aSongs$xHistory and criticism. 615 0$aSongs$xHistory and criticism. 676 $a782.42168/0943 702 $aParsons$b James$f1956- 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996210322603316 996 $aThe Cambridge companion to the Lied$92579287 997 $aUNISA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress