LEADER 01006nam--2200349---450- 001 990002675720203316 005 20060113103500.0 010 $a0-631-19602-1 035 $a000267572 035 $aUSA01000267572 035 $a(ALEPH)000267572USA01 035 $a000267572 100 $a20051021d2000----km-y0itay0103----ba 101 0 $aeng 102 $aUS 105 $ay|||z|||001yy 200 1 $aArchaelogy as cultural history$ewords and things in Iron age greece$fIan Morris 210 $aMalde$cBlackwell$d2000 215 $a358 p.$d24 cm 225 2 $aSocial archaelogy 410 0$1001$12001$aSocial archaelogy 676 $a938 700 1$aMORRIS,$bIan$038390 801 0$aIT$bsalbc$gISBD 912 $a990002675720203316 951 $aIX.3. 242(X B 818)$b181530 L.M.$cX B$d00180262 959 $aBK 969 $aUMA 979 $aCHIARA$b90$c20051021$lUSA01$h1004 979 $aCOPAT6$b90$c20060113$lUSA01$h1035 996 $aArchaelogy as cultural history$91002580 997 $aUNISA LEADER 05721 am 22006733u 450 001 9910166956403321 005 20220817104354.0 010 $a1-78320-210-6 010 $a1-78320-209-2 035 $a(CKB)3710000000083004 035 $a(EBL)3014882 035 $a(SSID)ssj0001164347 035 $a(PQKBManifestationID)11652346 035 $a(PQKBTitleCode)TC0001164347 035 $a(PQKBWorkID)11182133 035 $a(PQKB)11069204 035 $a(MiAaPQ)EBC3014882 035 $a(MiAaPQ)EBC4307308 035 $a(Au-PeEL)EBL3014882 035 $a(CaPaEBR)ebr10825863 035 $a(CaONFJC)MIL884516 035 $a(OCoLC)884544256 035 $a(OCoLC)1030816396 035 $a(ScCtBLL)8f5a60a0-c126-4071-80cb-73141a0afb56 035 $a(EXLCZ)993710000000083004 100 $a20140113d2013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic and levels of narration in film $esteps across the border /$fGuido Heldt ; Holly Rose, cover designer ; Michael Eckhardt, copy-editor ; Jelena Stanovnik, production manager 210 1$aBristol, England ;$aChicago, Illinois :$cIntellect,$d2013. 210 4$dİ2013 215 $a1 online resource (302 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-625-7 320 $aIncludes bibliographical references, filmographies and indexes. 327 $a""Cover""; ""Half Title""; ""Title""; ""Copyright""; ""Contents""; ""Preface""; ""Chapter I: Introduction: Film Music Narratology""; ""i. Laughing with film theory""; ""ii. Film/music/narratology""; ""The plan of the book""; ""A note on the choice of films""; ""A note on the viewer""; ""iii. Principles of pertinence""; ""Chapter II: The Conceptual Toolkit: Music and Levels of Narration""; ""i. Fictional worlds and the filmic universe""; ""ii. The historical author: extrafictionality and the title sequence""; ""iii. Extrafictional narration and audience address"" 327 $a""iv. Nondiegetic and diegetic music""""a. Narratology, the diegesis and music some considerations""; ""b. Nondiegetic music and narrative agency""; ""Music as voice or as emanation""; ""Nondiegetic music, diegetic control""; ""Would-be-diegetic music""; ""c. Diegetic music: storyworld attachment and narrative agency""; ""Modes of storyworld attachment""; ""Diegetic music and narrative agency""; ""d. Diegetic commentary and the implied author""; ""e. Diegetic music: further options"" 327 $a""f. Transitions, transgressions and transcendence: Displaced diegetic music, supradiegetic music and other steps across the border""""v. Music on my mind: Metadiegetic narration and focalization""; ""Chapter III: Breaking into Song? Hollywood Musicals (and After)""; ""i. Supradiegesis""; ""ii. Superabundance: Top Hat and the 1930's""; ""iii. The classical style: Night and Day, An American in Paris, Singin' in the Rain""; ""iv. Transcendence lost and regained: The aftermath of the classical style""; ""v. The next-to-last song: Dancer in the Dark (and The Sound of Music)"" 327 $a""Chapter IV: Things That Go Bump in the Mind: Horror Films""""i. Of implied authors and implicit contracts: Six little bits of theory""; ""ii. and thirteen examples""; ""Chapter V: Beyond the Moment: Long-range Musical Strategies""; ""i. Music and memory in Once Upon a Time in America""; ""a. Precursor 1: For a Few Dollars More""; ""b. Precursor 2: Once Upon a Time in the West""; ""c. Precursor 3: Duck, You Sucker!""; ""d. Most melancholic of films Once Upon a Time in America""; ""e. Once Upon a Time in America Three musical themes"" 327 $a""f. I say it here and I deny it here: Conclusions""""ii. Life's troubled bubble broken: Musical metalepses in The Truman Show""; ""a. True life or false""; ""b. Pre-existing music and the world of Seahaven""; ""c. Nondiegetic music and levels of narration""; ""d. Music on the level of the film (or not?)""; ""iii. Far from Heaven, Breakfast at Tiffany's, Hollywood melodrama and the retrospective prolepsis""; ""a. Present film""; ""b. Dancing to the music of time: Far from Heaven""; ""c. Urban pastoral: Breakfast at Tiffany's"" 327 $a""d. The language of melodrama: Antecedents in All That Heaven Allows and Imitation of Life"" 330 $aThis is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship). The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to 'focalizations' of subjectivity, and music's many and complex movements between them. 606 $aMotion picture music$xHistory and criticism 615 0$aMotion picture music$xHistory and criticism. 676 $a781.542 700 $aHeldt$b Guido$0905735 701 $aRose$b Holly$0905736 701 $aEckhardt$b Michael$0864340 701 $aStanovnik$b Jelena$0872717 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910166956403321 996 $aMusic and levels of narration in film$92025879 997 $aUNINA LEADER 04461oam 2200481 450 001 996210085303316 005 20170523091618.0 010 $a981-4459-07-0 010 $a981-230-854-7 024 7 $a10.1355/9789812308542 035 $a(OCoLC)646981289 035 $a(MiFhGG)GVRLA25K 035 $a(EXLCZ)992430000000041152 100 $a20130712d2009 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRural investment climate in Indonesia /$fedited by Neil McCulloch 205 $a1st edition. 210 1$aSingapore :$cInstitue of Southeast Asian Studies,$d2009. 215 $a1 online resource (337 pages) 225 0 $aGale eBooks 300 $aDescription based on print version record. 311 $a981-230-853-9 320 $aIncludes bibliographical references and index. 327 $aAgricultural demand linkages and growth multipliers in rural Indonesia / Asep Suryahadi ... [et al.] -- Trends and contrainsts associated with labour faced by non-farm enterprises / Armida S. Alisjahbana and Chris Manning -- The constraints in accessing credit faced by rural non-farm enterprises / Andi Ikhwan and Don Edwin Johnston -- The constraints associated with infrastructure faced by non-farm level enterprises at the kabupaten level / John Gibson -- Technology/knowledge transfer and diffusion in Indonesian non-farm enterprises / Tulus Tambunan and Thee Kian Wie -- Marketing and competition in the new Indonesia / Hal Hill and Pantjar Simatupang -- Local tax effects on the business climate / Blane D. Lewis and Bambang Suharnoko Sjahrir -- Leadership and voice in local governance / Christian von Luebke -- Insecurity and business development in rural Indonesia / Jonathan Haughton and John M. MacDougall. 330 $aThis book provides a comprehensive analysis of the constraints facing the development of rural non-farm enterprises in Indonesia. Recent years have seen a substantial effort by the Indonesian government to improve the investment climate. To date, much of this effort has focused on the constraints faced by businesses at the national level. However, if Indonesia is to be successful in creating jobs and reducing poverty across the archipelago, this will require improving the investment climate for the 15.7 million micro and small enterprises that employ more than half of all the non-farm workers in the country. This book brings together leading Indonesian and international academics to consider seven key constraints that RNFEs face: labour regulations and practices; infrastructure; competition and marketing; knowledge transfer and technology; access to credit and financial services; local taxation and user charges; and insecurity. In each case the authors draw on the Indonesian Rural Investment Climate Survey, a unique dataset of more than 2,500 RNFEs, to identify the size and nature of the constraints, the way in which they impact upon enterprise growth and the implications for policy. In addition, a key chapter estimates the strength of the linkage between agriculture and non-agricultural activities in rural areas, showing that agricultural revitalization is an essential complement to the development of the non-farm economy. "Understanding the rural investment climate in both slow- and fast-growing economies has taken on new urgency in the wake of the world food crisis. The rural non-farm economy often provides half or more of the income of farm families and is especially important for food-deficit rural households hard-hit by rising food prices. The Indonesian Rural Investment Climate Assessment is the "gold standard" for how to achieve this understanding. It is a delight to see it published and available to a wide audience." - C. Peter Timmer, Visiting Professor, Program on Food Security and Environment, Stanford University; Non-Resident Fellow, Center for Global Development 606 $aRural industries$zIndonesia 606 $aInvestments$zIndonesia 607 $aIndonesia$xRural conditions 615 0$aRural industries 615 0$aInvestments 676 $a332.67309598 702 $aMcCulloch$b Neil$f1964- 712 02$aInstitute of Southeast Asian Studies, 801 0$bMiFhGG 801 1$bMiFhGG 906 $aBOOK 912 $a996210085303316 996 $aRural Investment Climate in Indonesia$92560049 997 $aUNISA LEADER 04725nam 22006974a 450 001 9910971846103321 005 20200520144314.0 010 $a9786612026133 010 $a9786611214630 010 $a9781405153157 010 $a1405153156 010 $a9781405115698 010 $a1405115696 010 $a9781281214638 010 $a1281214639 010 $a9781282026131 010 $a1282026135 035 $a(CKB)24989759600041 035 $a(Au-PeEL)EBL243599 035 $a(CaPaEBR)ebr10213591 035 $a(CaONFJC)MIL202613 035 $a(OCoLC)63165841 035 $a(MiAaPQ)EBC243599 035 $a(MiAaPQ)EBC7104552 035 $a(Perlego)2785336 035 $a(EXLCZ)9924989759600041 100 $a20050506d2006 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Roman games $ea sourcebook /$fAlison Futrell 205 $a1st ed. 210 $aMalden, MA ;$aOxford $cBlackwell Pub.$d2006 215 $axii, 253 p. $cill 225 1 $aBlackwell sourcebooks in ancient history 300 $aIncludes bibliographical references and index 320 $aIncludes bibliographical references and index. 327 $aIntro -- Illustrations -- Preface -- Acknowledgments -- 1 The Politics of the Arena -- Origin and Growth of Games -- Games and the Roman state -- Origins of gladiatorial combat -- Origins of wild animal shows -- Roman spectacle overseas -- Spectacle and Roman Politics -- Politics and shows -- Costs -- Control -- Violence -- Shows as political assembly -- Imperial Spectacle -- Ordinary spectacle -- The emperor and the arena -- The emperor and political spectacle -- Gladiators outside Rome -- 2 The Venue -- Republican Arenas -- Temporary structures in Rome -- Amphitheaters -- Disaster and control -- The Colosseum -- Military amphitheaters -- Special features -- Circuses -- Features of the Circus Maximus -- Circus as cosmos -- Naumachiae -- Stratification and Seating -- 3 A Day at the Games -- Preparation and Pompa -- Venationes -- Meridiani -- Munera -- The armatures -- The combats -- Good Spectacles vs. Bad Spectacles -- The Other Show: Audiences at the Games -- Dangerous games -- Special treats -- Food, spectacular food -- Sparsiones -- Inaugural Games at the Flavian Amphitheater -- Commodus' Games -- Tainted by the Crowd -- 4 The Life of the Gladiator -- Where Did Gladiators Come From? -- Prisoners of war -- Condemned criminals -- Slave gladiators and the Spartacan war -- Gladiators and status -- Free gladiators -- Choosing gladiatorial status -- Glory -- Life in the Ludi -- Death or Survival -- Sexy Gladiators -- Death and Choice -- Gladiator Familiae -- Female Performers: Gladiatrices and Ludia -- Crimes of Status: Elites in the Arena -- Imperial Gladiators -- 5 Christians and the Arena -- Rome and the Christians: The Official Relationship -- The Neronian persecution -- Trajan's policy -- Christian Denunciation of the Arena -- The Arena and Christian Identity -- Martyr Acts -- Christian Rome and the Arena -- 6 Chariot Races and Water Shows. 327 $aChariot Races -- The events -- Charioteers -- The horses -- The colors -- Circus fans -- Emperors as fans -- Fan clubs and unrest -- The Nika revolt -- Water Shows -- Timeline of Roman History -- Glossary of Terms and Names -- Notes -- Suggestions for Further Reading -- Index. 330 $aThis sourcebook presents a wealth of material relating to every aspect of Roman spectacles, especially gladiatorial combat and chariot racing. Draws on the words of eye-witnesses and participants, as well as depictions of the games in mosaics and other works of art. Offers snapshots of "a day at the games" and "the life of a gladiator". Includes numerous illustrations. Covers chariot-races, water pageants, naval battles and wild animal fights, as well as gladiatorial combat. Combines political, social, religious and archaeological perspectives. Facilitates an in-depth understanding of this important feature of ancient life. 410 0$aBlackwell sourcebooks in ancient history. 606 $aGames$zRome$xHistory 606 $aGames$xSocial aspects$zRome 606 $aAmphitheaters$zRome 607 $aRome$xSocial life and customs 615 0$aGames$xHistory. 615 0$aGames$xSocial aspects 615 0$aAmphitheaters 676 $a796/.0937/6 686 $a232$2njb/09 686 $a796/.0937/6$2njb/09 700 $aFutrell$b Alison$f1962-$01806952 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910971846103321 996 $aThe Roman games$94356395 997 $aUNINA