LEADER 03233nam 2200661Ia 450 001 996209837803316 005 20230721030223.0 010 $a0-19-160760-6 010 $a1-281-14961-6 010 $a9786611149611 010 $a0-19-152717-3 010 $a1-4356-2170-0 035 $a(CKB)1000000000374992 035 $a(EBL)693961 035 $a(OCoLC)648360647 035 $a(SSID)ssj0000086139 035 $a(PQKBManifestationID)11118967 035 $a(PQKBTitleCode)TC0000086139 035 $a(PQKBWorkID)10025896 035 $a(PQKB)10866240 035 $a(StDuBDS)EDZ0000073600 035 $a(MiAaPQ)EBC693961 035 $a(MiAaPQ)EBC7033989 035 $a(Au-PeEL)EBL7033989 035 $a(EXLCZ)991000000000374992 100 $a20070724d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCrossroads in the Black Aegean$b[electronic resource] $eOedipus, Antigone, and dramas of the African diaspora /$fBarbara Goff and Michael Simpson 210 $aOxford $cOxford University Press$d2007 215 $a1 online resource (414 p.) 225 1 $aClassical presences 300 $aDescription based upon print version of record. 311 $a0-19-171238-8 311 $a0-19-921718-1 320 $aIncludes bibliographical references (p. [365]-388) and index. 327 $aContents; List of Illustrations; Introduction: Answering Another Sphinx; 1. Intersections and Networks; 2. Back to the Motherland: Ola Rotimi's The Gods Are Not To Blame; 3. Oedipus Rebound: Rita Dove's The Darker Face of the Earth; 4. The City on the Edge: Lee Breuer's The Gospel at Colonus; 5. The Wine-dark Caribbean? Kamau Brathwaite's Odale's Choice and Derek Walcott's Omeros; 6. No Man's Island: Fugard, Kani and Ntshona's The Island; 7. History Sisters: Femi Osofisan's Tegonni: An African Antigone; Bibliography; Index 330 $aCrossroads in the Black Aegean is a compendious, timely, and fascinating study of African rewritings of Greek tragedy. It consists of detailed readings of six dramas and one epic poem, from different locations across the African diaspora. Barbara Goff and Michael Simpson ask why the plays of Sophocles' Theban Cycle figure so prominently among the tragedies adapted by dramatists of African descent, and how plays that dilate on the power of the past, in the inexorable curseof Oedipus and the regressive obsession of Antigone, can articulate the postcolonial moment. Capitalizing on classical recep 410 0$aClassical presences. 606 $aAfrican drama (English)$xHistory and criticism 606 $aAfrican drama (English)$xClassical influences 606 $aAfrican diaspora in literature 615 0$aAfrican drama (English)$xHistory and criticism. 615 0$aAfrican drama (English)$xClassical influences. 615 0$aAfrican diaspora in literature. 676 $a820.9896 700 $aGoff$b Barbara E$0188210 701 $aSimpson$b Michael$f1934-$01020936 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996209837803316 996 $aCrossroads in the Black Aegean$92417079 997 $aUNISA