LEADER 02355nam 2200553Ia 450 001 996209685003316 005 20230721003817.0 010 $a1-282-07614-0 010 $a9786612076145 010 $a0-19-155201-1 035 $a(CKB)1000000000557340 035 $a(EBL)728919 035 $a(OCoLC)320909195 035 $a(SSID)ssj0000088757 035 $a(PQKBManifestationID)11123981 035 $a(PQKBTitleCode)TC0000088757 035 $a(PQKBWorkID)10084077 035 $a(PQKB)11616525 035 $a(StDuBDS)EDZ0000073592 035 $a(MiAaPQ)EBC728919 035 $a(MiAaPQ)EBC7038198 035 $a(Au-PeEL)EBL7038198 035 $a(EXLCZ)991000000000557340 100 $a20081128d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPindaric metre$b[electronic resource] $e'the other half' /$fKiichiro Itsumi 210 $aOxford $cOxford University Press$d2009 215 $a1 online resource (485 p.) 300 $aDescription based upon print version of record. 311 $a0-19-171078-4 311 $a0-19-922961-9 320 $aIncludes bibliographical references (p. [455]-458) and indexes. 327 $aContents; Symbols; Key to Terminology; Text; Line-Numeration; PART I. INTRODUCTION; PART II. THE EIGHTEEN MAJORS; PART III. MISCELLANEA; Bibliography; Index 330 $aPindar is one of the greatest Greek poets, but while the metre of half of his poems is easy to grasp, that of the other half has so far remained obscure. Kiichiro Itsumi presents a new account of their metre. He separates the metre into two types and identifies a series of precise entities from which the verses are made, in this way imposing a new clarity and discipline on what had previously seemed a much vaguer process. Itsumi's analyses of individual poems include a discussion ofstanzaic structure, of textual problems, and of particular lines in the stanza and their exploitation within the 606 $aGreek language$xMetrics and rhythmics 615 0$aGreek language$xMetrics and rhythmics. 676 $a884.01 700 $aItsumi$b Kiichiro$0629671 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996209685003316 996 $aPindaric metre$91226105 997 $aUNISA