LEADER 03196nam 2200625Ia 450 001 996208660903316 005 20230721004928.0 010 $a1-282-68278-4 010 $a9786612682780 010 $a1-4443-0281-7 010 $a1-4443-0282-5 035 $a(CKB)1000000000715918 035 $a(EBL)416360 035 $a(OCoLC)476247474 035 $a(SSID)ssj0000105733 035 $a(PQKBManifestationID)11145023 035 $a(PQKBTitleCode)TC0000105733 035 $a(PQKBWorkID)10105285 035 $a(PQKB)10952442 035 $a(MiAaPQ)EBC416360 035 $a(EXLCZ)991000000000715918 100 $a20071106d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aArt and ethical criticism$b[electronic resource] /$fedited by Garry L. Hagberg 210 $aMalden, MA ;$aOxford $cBlackwell Pub. Ltd.$d2008 215 $a1 online resource (304 p.) 225 1 $aNew directions in aesthetics ;$v7 300 $aDescription based upon print version of record. 311 $a1-4443-3787-4 311 $a1-4051-3483-6 320 $aIncludes bibliographical references and index. 327 $anotes on contributors; foreword; Part I Historical Foundations; 1 is ethical criticism a problem?a historical perspective Paul Guyer; Part II Conceptions of Ethical Content; 2 narrative and the ethical life Noe?l Carroll; 3 a nation of madame bovarys:on the possibility and desirability of moral improvement through fiction Joshua Landy; 4 empathy,expression, and what artworks have to teach Mitchell Green; Part III Literature and Moral Responsibility; 5 " objects," solid objections: on virginia woolf and philosophy Paisley Livingston; 6 disgrace:bernard williams and j.m.coetzee Catherine Wilson 327 $a7 facing death together:camus ' the plague Robert C. SolomonPart IV Visual Art, Artifacts, and the Ethical Response; 8 staying in touch Carolyn Korsmeyer; 9 susan sontag,diane arbus,and the ethical dimensions of photography David Davies; 10 ethical judgments in museums Ivan Gaskell; Part V Music and Moral Relations; 11 cosi`' canon quartet Stephen Davies; 12 jazz improvisation and ethical interaction: a sketch of the connections Garry L. Hagberg; index 330 $aThrough a series of essays, Art and Ethical Criticism explores the complex relationship between the arts and morality. Reflects the importance of a moral life of engagement with works of artForms part of the prestigious New Directions in Aesthetics series, which confronts the most intriguing problems in aesthetics and the philosophy of art today 410 0$aNew directions in aesthetics ;$v7. 606 $aAesthetics 606 $aAesthetics$xMoral and ethical aspects 606 $aArt$xPhilosophy 615 0$aAesthetics. 615 0$aAesthetics$xMoral and ethical aspects. 615 0$aArt$xPhilosophy. 676 $a111.85 676 $a111/.85 701 $aHagberg$b Garry$f1952-$0855009 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996208660903316 996 $aArt and ethical criticism$92201352 997 $aUNISA LEADER 03368oam 2200769I 450 001 9910783611903321 005 20230617041150.0 010 $a1-135-87760-2 010 $a1-135-87761-0 010 $a1-280-17712-8 010 $a1-282-37330-7 010 $a9786612373305 010 $a9786610177127 010 $a0-203-95803-9 010 $a0-203-49157-2 024 7 $a10.4324/9780203491577 035 $a(CKB)1000000000249570 035 $a(EBL)321870 035 $a(OCoLC)187394682 035 $a(SSID)ssj0000146325 035 $a(PQKBManifestationID)11160378 035 $a(PQKBTitleCode)TC0000146325 035 $a(PQKBWorkID)10185516 035 $a(PQKB)10846872 035 $a(MiAaPQ)EBC321870 035 $a(MiAaPQ)EBC5299113 035 $a(Au-PeEL)EBL321870 035 $a(CaPaEBR)ebr10196262 035 $a(CaONFJC)MIL237330 035 $a(OCoLC)935266238 035 $a(OCoLC)61345508 035 $a(Au-PeEL)EBL5299113 035 $a(CaONFJC)MIL17712 035 $a(OCoLC)1027145522 035 $a(EXLCZ)991000000000249570 100 $a20180706d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEmpowering collaborations $ewriting partnerships between religious women and scribes in the Middle Ages /$fKimberley M. Benedict 210 1$aNew York :$cRoutledge,$d2004. 215 $a1 online resource (113 p.) 225 1 $aStudies in medieval history and culture ;$v27 300 $aDescription based upon print version of record. 311 $a1-138-01166-5 311 $a0-415-97059-8 320 $aIncludes bibliographical references (p. 117-121) and index. 327 $aBOOK COVER; HALF-TITLE; TITLE; COPYRIGHT; CONTENTS; LIST OF ILLUSTRATIONS; Series Editor's Foreword; Acknowledgments; Introduction; Chapter One Precedents; HISTORICAL PRECEDENTS; SCRIPTURAL PRECEDENTS; MARY'S SIGNIFICANCE FOR BIRGITTA OF SWEDEN; Chapter Two Genre; TREATISES; MEMOIRS; LETTERS; Chapter Three Mediation; COMPETENT SCRIBES; INCOMPETENT SCRIBES; MARGERY KEMPE'S INCOMPETENT SCRIBES; ANGELA OF FOLIGNO'S INCOMPETENT SCRIBES; Chapter Four Sexuality; COLLABORATION BETWEEN WOMEN AND MEN; COLLABORATION BETWEEN WOMEN; CATHERINE OF SIENA'S MALE AND FEMALE SCRIBES 327 $aChapter Five Revisionary HistoriesEMOTIONAL PERSPECTIVES; FORMALIST PERSPECTIVES; RELIGIOUS PERSPECTIVES; FEMINIST PERSPECTIVES; VISUAL PERSPECTIVES; Notes; Works Cited; PRIMARY SOURCES; SECONDARY SOURCES; Index 330 $aThis study examines partnerships between medieval women and scribes. Kimberly Benedict argues that medieval female visionaries often play prominent roles in collaboration while their male amanuenses serves as supports and foils. 410 0$aStudies in medieval history and culture ;$vv. 27. 606 $aWomen mystics$zEurope$xHistory$yTo 1500 606 $aAuthorship$xCollaboration$xHistory$yTo 1500 606 $aScribes$zEurope$xHistory$yTo 1500 615 0$aWomen mystics$xHistory 615 0$aAuthorship$xCollaboration$xHistory 615 0$aScribes$xHistory 676 $a270.5/082 700 $aBenedict$b Kimberley M.$01581386 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910783611903321 996 $aEmpowering collaborations$93862885 997 $aUNINA