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010   $a1-280-95882-0
010   $a9786610958825
010   $a90-485-0513-5
010   $a0-585-49537-8
024 7 $a10.1515/9789048505135
035   $a(CKB)111087028328346
035   $a(EBL)419852
035   $a(OCoLC)70771912
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035   $a(PQKBTitleCode)TC0000105800
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035   $a(OCoLC)1110714197
035   $a(DE-B1597)9789048505135
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035   $a(CaPaEBR)ebr10053686
035   $a(CaONFJC)MIL95882
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035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26812
035   $a(EXLCZ)99111087028328346
100   $a20210107d2003||||  uy             0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aArt in progress $ea philosophical response to the end of the avant-garde /$fMaarten Doorman ; translated from the Dutch by Sherry Marx
210  1$aAmsterdam :$cAmsterdam University Press,$d2003.
215   $a1 online resource (181 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 15 Jan 2021).
311 0 $a90-5356-585-X 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tForeword /$rDoorman, Maarten --$tIntroduction --$t1. Perspectives On Progress: A History --$t2. From The Ancients And The Moderns: A Door To The Future --$t3. From Romanticism To The Avant-Garde --$t4. On Making Revolution --$t5. Innovation In Painting And Architecture: De Stijl --$t6. The End Of Art --$t7. A New Approach To An Old Concept --$tNotes --$tBibliography --$tIndex Of Names
330   $aIn this challenging essay, Maarten Doorman argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism, he claims, have had a crippling effect on art, leaving it in danger of becoming meaningless. Art can only acquire meaning through context; the concept of progress, then, is ideal as the primary criterion for establishing that context. The history of art, in fact, can be seen as a process of constant accumulation, works of art commenting on one another and enriching one another's meanings. It is these complex interrelationships and the progress they create in both art and its observers that Doorman, in a display of great philosophical erudition, defends.
606   $aAesthetics
606   $aAvant-garde (Aesthetics)
606   $aProgress
615  0$aAesthetics.
615  0$aAvant-garde (Aesthetics)
615  0$aProgress.
676   $a111.85
700   $aDoorman$b Maarten$0800852
702   $aMarx$b Sherry$c(Translator),
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a996208534403316
996   $aArt in Progress$91802169
997   $aUNISA