LEADER 03800nam 22006732 450 001 996207992003316 005 20221206174402.0 010 $a1-281-97268-1 010 $a9786611972684 010 $a90-485-0970-X 010 $a1-4294-5463-6 024 7 $a10.1515/9789048509706 035 $a(CKB)1000000000462038 035 $a(EBL)420308 035 $a(OCoLC)1182874094 035 $a(OCoLC)437107021 035 $a(SSID)ssj0000154795 035 $a(PQKBManifestationID)11158432 035 $a(PQKBTitleCode)TC0000154795 035 $a(PQKBWorkID)10418570 035 $a(PQKB)11355300 035 $a(DE-B1597)532930 035 $a(OCoLC)1110719876 035 $a(DE-B1597)9789048509706 035 $a(UkCbUP)CR9789048509706 035 $a(Au-PeEL)EBL420308 035 $a(CaPaEBR)ebr10302705 035 $a(CaONFJC)MIL197268 035 $a(MiAaPQ)EBC420308 035 $a(EXLCZ)991000000000462038 100 $a20210107d2006|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFilm remakes as ritual and disguise $efrom Carmen to Ripley /$fAnat Zanger$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2006. 215 $a1 online resource (158 pages) $cdigital, PDF file(s) 225 1 $aFilm culture in transition 300 $aTitle from publisher's bibliographic system (viewed on 29 Jan 2021). 311 0 $a90-5356-785-2 311 0 $a90-5356-784-4 320 $aFilmography: p. [147]-149. 320 $aIncludes bibliographical references (p. [131]-145) and index. 327 $tFront matter --$tTable of Contents --$tAcknowledgments --$tIntroduction --$tChapter 1. Psycho: Inside and Outside the Frame --$tPart One. First Variation: Carmen --$tChapter 2. The Game Begins --$tChapter 3. Muted Voices --$tChapter 4. Masks --$tPart Two. Second Variation: Joan --$tChapter 5. The Game Again --$tChapter 6. Hearing Voices --$tChapter 7. Disguises --$tConclusion --$tChapter 8. Repetitions as Hidden Streams --$tReferences --$tFilmography --$tCredits --$tIndex 330 $aThe first full-length history of the remake in cinema, Film Remakes as Ritual and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales' Joan of Arc, Carmen, and Psycho to reveal what she calls the remake's 'rituals of disguise.' Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien series and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural 'fingerprints' that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death - playing at movie theaters seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Film Remakes as Ritual and Disguise is an insightful addition to current debates in film theory and cinema history. 410 0$aFilm culture in transition. 517 3 $aFilm Remakes as Ritual & Disguise 606 $aFilm remakes$xHistory and criticism 615 0$aFilm remakes$xHistory and criticism. 676 $a791.436 700 $aZanger$b Anat$0800840 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996207992003316 996 $aFilm Remakes as Ritual and Disguise$91802152 997 $aUNISA