LEADER 02746 am 22006853u 450 001 996207959903316 005 20221206102658.0 010 $a90-485-0175-X 010 $a9786611154356 010 $a1-281-15435-0 010 $a90-485-0179-2 035 $a(CKB)1000000000486813 035 $a(EBL)419759 035 $a(OCoLC)476250271 035 $a(SSID)ssj0000154775 035 $a(PQKBManifestationID)11161463 035 $a(PQKBTitleCode)TC0000154775 035 $a(PQKBWorkID)10418987 035 $a(PQKB)11575349 035 $a(Au-PeEL)EBL419759 035 $a(CaPaEBR)ebr10281442 035 $a(CaONFJC)MIL115435 035 $a(MiAaPQ)EBC419759 035 $a(EXLCZ)991000000000486813 100 $a20081107d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFilm architecture and the transnational imagination$b[electronic resource] $eset design in 1930s European cinema /$fTim Bergfelder, Sue Harris, Sarah Street 210 $aAmsterdam $cAmsterdam University Press$dc2007 215 $a1 online resource (320 pages) $cillustrations 225 1 $aFilm culture in transition 300 $aDescription based upon print version of record. 311 $a90-5356-980-4 311 $a90-5356-984-7 320 $aIncludes bibliographical references (p. [297]-304) and indexes. 327 $aContents ; Acknowledgements ; Ch. 1: Introduction: Understanding and Interpreting Set Design in Cinema ; Ch. 2: European Set Design in the 1920's and 1930's: Cultural Contexts and Professional Practices ; Ch.3: Imagining Space in Late Weimar Cinema ; Ch. 4: French Cinema in the 1930's: Space, Place and National Identity ; Ch. 5: Set Design, Style, and Genre in 1930's British Cinema ; Notes ; Bibliography ; Index of Film Titles ; Index of Names and Subjects 330 $aPresents for the first time a comparative study of European film set design in the late 1920's and 1930 410 0$aFilm culture in transition. 606 $aMotion pictures$xSetting and scenery$zEurope 606 $aMotion pictures$zEurope$xHistory$y20th century 606 $aGroup work in art 606 $aTransnationalism 615 0$aMotion pictures$xSetting and scenery 615 0$aMotion pictures$xHistory 615 0$aGroup work in art. 615 0$aTransnationalism. 676 $a791.43025094 700 $aBergfelder$b Tim$0800827 701 $aHarris$b Sue$0800828 701 $aStreet$b Sarah$0800826 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996207959903316 996 $aFilm Architecture and the Transnational Imagination$91802135 997 $aUNISA LEADER 03754nam 2200721 450 001 9910788364203321 005 20230725040427.0 010 $a0-8214-4353-4 035 $a(CKB)3170000000047104 035 $a(EBL)1762846 035 $a(OCoLC)794698926 035 $a(SSID)ssj0000606171 035 $a(PQKBManifestationID)11391744 035 $a(PQKBTitleCode)TC0000606171 035 $a(PQKBWorkID)10580934 035 $a(PQKB)10257062 035 $a(MiAaPQ)EBC1762846 035 $a(MdBmJHUP)muse2887 035 $a(Au-PeEL)EBL1762846 035 $a(CaPaEBR)ebr10907654 035 $a(EXLCZ)993170000000047104 100 $a20091209h20102010 uy| 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aX marks the spot $ewomen writers map the Empire for British children, 1790-1895 /$fMegan A. Norcia 210 1$aAthens :$cOhio University Press,$d[2010] 210 4$dİ2010 215 $a1 online resource (273 p.) 300 $aDescription based upon print version of record. 311 $a0-8214-1907-2 320 $aIncludes bibliographical references (pages 201-254) and index. 327 $aIntroduction: mapping imperial hierarchies and ruling the world -- The dysfunctional "family of man": Mary Anne Venning and Barbara Hofland classify human races in pre-darwinian primers -- Place settings at the imperial dinner party: hierarchies of consumption in the works of Favell Lee Mortimer, Sarah Lee, and Priscilla Wakefield -- Terra incognita: the gendering of geographic experience in the works of Barbara Hofland, Priscilla Wakefield, Mary H.C. Legh, Lucy Wilson, Mrs. E. Burrows, and Maria Hack -- "Prisoners in its spatial matrix"? resisting imperial geography in thirdspace -- Conclusion: contextualizing archival recovery. 330 $aDuring the nineteenth century, geography primers shaped the worldviews of Britain's ruling classes and laid the foundation for an increasingly globalized world. Written by middle-class women who mapped the world that they had neither funds nor freedom to traverse, the primers employed rhetorical tropes such as the Family of Man or discussions of food and customs in order to plot other cultures along an imperial hierarchy. Cross-disciplinary in nature, X Marks the Spot is an analysis of previously unknown material that examines the interplay between gender, imperial duty, and pedagogy. 606 $aEnglish literature$xWomen authors$xHistory and criticism 606 $aChildren$xBooks and reading$zGreat Britain$xHistory$y19th century 606 $aWomen and literature$zGreat Britain$xHistory$y19th century 606 $aChildren's literature, English$xHistory and criticism 606 $aDidactic literature, English$xHistory and criticism 606 $aGeography in literature 606 $aNational characteristics, British, in literature 606 $aImperialism in literature 606 $aSex role in literature 615 0$aEnglish literature$xWomen authors$xHistory and criticism. 615 0$aChildren$xBooks and reading$xHistory 615 0$aWomen and literature$xHistory 615 0$aChildren's literature, English$xHistory and criticism. 615 0$aDidactic literature, English$xHistory and criticism. 615 0$aGeography in literature. 615 0$aNational characteristics, British, in literature. 615 0$aImperialism in literature. 615 0$aSex role in literature. 676 $a820.9/9287/09034 700 $aNorcia$b Megan A.$f1976-$01580788 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788364203321 996 $aX marks the spot$93861969 997 $aUNINA