LEADER 04152 am 22006973u 450 001 996207551803316 005 20221206103629.0 010 $a90-04-25349-1 024 7 $a10.1163/9789004253490 035 $a(CKB)2670000000212598 035 $a(EBL)1342548 035 $a(SSID)ssj0000939985 035 $a(PQKBManifestationID)11600611 035 $a(PQKBTitleCode)TC0000939985 035 $a(PQKBWorkID)10938815 035 $a(PQKB)10631665 035 $a(MiAaPQ)EBC1342548 035 $a(nllekb)BRILL9789004253490 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26033 035 $a(PPN)174542992 035 $a(EXLCZ)992670000000212598 100 $a20120712d2012 uy 101 0 $aeng 135 $aurmn#nnn||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusical worlds in Yogyakarta /$fMax M. Richter 210 $aLeiden - Boston$cBrill$d2012 210 1$aLeiden :$cKITLV Press,$d2012. 215 $a1 online resource (xii, 210 pages) $cillustrations; digital file(s) 225 1 $aVerhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ;$v281 300 $aRevised version of the author's doctoral dissertation. 311 08$aPrint version: 9067183903 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rMax M. Richter --$tIntroduction: Approaching musical life in early post-Soeharto Yogyakarta /$rMax M. Richter --$tBackground /$rMax M. Richter --$t1: Sosrowijayan and its street workers /$rMax M. Richter --$t2: Musical forms and spaces /$rMax M. Richter --$t3: Music groups /$rMax M. Richter --$tBackground /$rMax M. Richter --$t4: Detachment engagement /$rMax M. Richter --$t5: Other worlds and sexualisation /$rMax M. Richter --$tBackground /$rMax M. Richter --$t6: Regional Parliament /$rMax M. Richter --$t7: Armed Forces /$rMax M. Richter --$t8: Universities /$rMax M. Richter --$tConclusion: Campursari and jalanan at the Sultan?s Palace /$rMax M. Richter --$tBibliography /$rMax M. Richter --$tIndex /$rMax M. Richter. 330 $aMusical Worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta?s regional parliament, its military institutions, universities and the Sultan?s palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari (?mixed essences?) and jalanan (?of the street?). Musical Worlds in Yogyakarta addresses themes of social identity and power, counterpoising Pierre Bourdieu?s theories on class, gender and nation with the author?s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings. Full text (Open Access) www.musicethnography.net 410 0$aVerhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde$v281/2. 606 $aMusic$zIndonesia$zYogyakarta 607 $aYogyakarta (Indonesia)$xSocial life and customs 610 $aperforming arts 610 $asociology 610 $aurban life 610 $ayogyakarta 610 $amusic 610 $aindonesia 610 $aCampursari 610 $aCycle rickshaw 610 $aDangdut 610 $aJalan Malioboro 610 $aJavanese people 615 0$aMusic 676 $a780.9598/27 700 $aRichter$b Max M.$0801711 801 0$bNL-LeKB 801 1$bNL-LeKB 801 2$bUkMaJRU 906 $aBOOK 912 $a996207551803316 996 $aMusical worlds in Yogyakarta$91802983 997 $aUNISA