LEADER 01764oam 2200469zu 450 001 996207521803316 005 20210806235820.0 010 $a1-5090-9276-5 035 $a(CKB)1000000000278210 035 $a(SSID)ssj0000395857 035 $a(PQKBManifestationID)12145839 035 $a(PQKBTitleCode)TC0000395857 035 $a(PQKBWorkID)10456813 035 $a(PQKB)10461559 035 $a(EXLCZ)991000000000278210 100 $a20160829d2006 uy 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 10$a2006 Optical Data Storage Topical Meeting : conference proceedings : 23-26 April 2006, Le Centre Sheraton, Montreal, Quebec, Canada 210 31$a[Place of publication not identified]$cIEEE$d2006 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7803-9494-1 606 $aOptical storage devices$vCongresses 606 $aElectrical & Computer Engineering$2HILCC 606 $aEngineering & Applied Sciences$2HILCC 606 $aElectrical Engineering$2HILCC 615 0$aOptical storage devices 615 7$aElectrical & Computer Engineering 615 7$aEngineering & Applied Sciences 615 7$aElectrical Engineering 676 $a621.39/767 712 02$aLasers and Electro-optics Society (Institute of Electrical and Electronics Engineers) 712 02$aSociety of Photo Optical Instrumentation Engineers 712 02$aOptical Society of America 712 12$aTopical Meeting on Optical Data Storage 801 0$bPQKB 906 $aPROCEEDING 912 $a996207521803316 996 $a2006 Optical Data Storage Topical Meeting : conference proceedings : 23-26 April 2006, Le Centre Sheraton, Montreal, Quebec, Canada$92502834 997 $aUNISA LEADER 02833nam 2200577 a 450 001 9910789757003321 005 20230731201652.0 010 $a0-19-161578-1 010 $a1-283-22297-3 010 $a9786613222978 010 $a0-19-161655-9 035 $a(CKB)2670000000108085 035 $a(StDuBDS)AH24082240 035 $a(MiAaPQ)EBC746699 035 $a(Au-PeEL)EBL746699 035 $a(CaPaEBR)ebr10488430 035 $a(CaONFJC)MIL322297 035 $a(OCoLC)743802593 035 $a(MiAaPQ)EBC7033231 035 $a(Au-PeEL)EBL7033231 035 $a(EXLCZ)992670000000108085 100 $a20110601d2011 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusic, art, and metaphysics $eessays in philosophical aesthetics /$fJerrold Levinson 205 $a[New ed.]. 210 $aOxford $cOxford University Press$d2011 215 $a1 online resource (xx, 419 pages) $cmusic 300 $aPrevious ed.: Ithaca, N.Y. : Cornell University Press, 1990. 311 0 $a0-19-959663-8 311 0 $a0-19-959662-X 320 $aIncludes bibliographical references and index. 327 $apt. 1. Art and history -- pt. 2. Metaphysics of art -- pt. 3. Musical matters. 330 $aThis is a reissue of Jerrold Levinson's 1990 book which gathers together the writings that made him a leading figure in contemporary aesthetics. A new introduction reflects on the essays and their influence over the last 20 years. 330 $bThis is a long-awaited reissue of Jerrold Levinson's 1990 book Music, Art, and Metaphysics, which gathers together the writings that made him a leading figure in contemporary aesthetics. Most of the essays are distinguished by a concern with metaphysical questions about artworks and their properties, but other essays address the problem of art's definition, the psychology of aesthetic response, and the logic of interpreting and evaluating works of art. The focus of about half of the essays is the art of music, the art of greatest interest to Levinson throughout his career. Many of the essays have been very influential, being among the most cited in contemporary aesthetics and having become essential references in debates on the definition of art, the ontology of art, emotional response to art, expression in art, and the nature of art forms. 606 $aAesthetics 606 $aMusic$xPhilosophy and aesthetics 615 0$aAesthetics. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a111/.85 700 $aLevinson$b Jerrold$01157463 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789757003321 996 $aMusic, art, and metaphysics$93719420 997 $aUNINA