LEADER 03176 am  22007333u 450 
001 996207039103316
005 20230623181910.0
010   $a1-283-69824-2
010   $a90-485-1353-7
035   $a(CKB)2670000000240766
035   $a(EBL)1048740
035   $a(OCoLC)815380396
035   $a(SSID)ssj0000770007
035   $a(PQKBManifestationID)12319779
035   $a(PQKBTitleCode)TC0000770007
035   $a(PQKBWorkID)10786147
035   $a(PQKB)10297076
035   $a(SSID)ssj0000799576
035   $a(PQKBManifestationID)12281191
035   $a(PQKBTitleCode)TC0000799576
035   $a(PQKBWorkID)10763656
035   $a(PQKB)10805037
035   $a(Au-PeEL)EBL1048740
035   $a(CaPaEBR)ebr10613627
035   $a(CaONFJC)MIL401074
035   $a(MiAaPQ)EBC1048740
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26331
035   $a(EXLCZ)992670000000240766
100   $a20120918d2012      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aFiguring the past$b[electronic resource] $eperiod film and the Mannerist aesthetic /$fBe?len Vida
210   $aAmsterdam $cAmsterdam University Press$d2012
215   $a1 online resource (257 pages) $cillustrations
225 1 $aFilm Culture in Transition
300   $aDescription based upon print version of record.
311   $a90-8964-281-1 
311   $a90-8964-282-X 
320   $aIncludes bibliographical references and index.
327   $aFiguring the Past; Table of Contents; Acknowledgements; Introduction - Period Film and the Mannerist Moment; Chapter 1 - A Poetics of Figuration; Chapter 2 - Present in the Past: The House; Chapter 3 - Time and the Image: The Tableau; Chapter 4 - The Scene of Writing: The Letter; Conclusion - Second Sight: Reviewing the Past, Figuring the Present; Notes; Bibliography; Index of Film Titles; Index of Names and Subjects
330   $aThis definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures - the house, the tableau and the letter....
410  0$aFilm culture in transition
606   $aMotion pictures
606   $aMannerism (Art)
610   $amotion pictures
610   $afilm
610   $aHistorical period drama
610   $aMannerism
610   $aMelodrama
615  0$aMotion pictures.
615  0$aMannerism (Art)
676   $a791.43
676   $a791.4301
700   $aVidal Villasur$b Bele?n$0905294
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a996207039103316
996   $aFiguring the past$92024607
997   $aUNISA