LEADER 04442nam 22006132 450 001 996206785003316 005 20240405031028.0 010 $a90-485-1505-X 024 7 $a10.1515/9789048515059 035 $a(CKB)2670000000311381 035 $a(EBL)1773715 035 $a(SSID)ssj0000939998 035 $a(PQKBManifestationID)11518977 035 $a(PQKBTitleCode)TC0000939998 035 $a(PQKBWorkID)10947094 035 $a(PQKB)10109897 035 $a(MiAaPQ)EBC1773715 035 $a(DE-B1597)517668 035 $a(OCoLC)1083582646 035 $a(DE-B1597)9789048515059 035 $a(UkCbUP)CR9789048515059 035 $a(Au-PeEL)EBL1773715 035 $a(CaPaEBR)ebr10661930 035 $a(CaONFJC)MIL552056 035 $a(OCoLC)829905895 035 $a(EXLCZ)992670000000311381 100 $a20201130d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAudiences $edefining and researching screen entertainment reception /$fedited by Ian Christie$b[electronic resource] 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d2012. 215 $a1 online resource (332 pages) $cdigital, PDF file(s) 225 1 $aThe key debates ;$v3 300 $aTitle from publisher's bibliographic system (viewed on 14 Dec 2020). 311 $a90-8964-362-1 320 $aIncludes bibliographical references and indexes. 327 $tIntroduction: in search of audiences /$rIan Christie --$gpt. 1.$tReassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 /$rNicholas Hiley ;$tGentleman in the stalls: Georges Melies and spectatorship in early cinema /$rFrank Kessler ;$tBeyond the nickelodeon: cinema going, everyday life and identity politics /$rJudith Thissen ;$tCinema in the colonial city: early film audiences in Calcutta /$rRanita Chatterjee ;$tLocating early non-theatrical audiences /$rGregory A Waller ;$tUnderstanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s /$rJohn Sedgwick and Clara Pafort-Overduin --$gpt. 2.$tNew frontiers in audience research.$tAesthetics and viewing regimes of cinema and television, and their dialectics /$rAnnie van den Oever ;$tTapping into our tribal heritage: The lord of the rings and brain evolution /$rTorben Grodal ;$tCinephilia in the digital age /$rLaurent Jullier and Jean-Marc Leveratto ;$tSpectator, film and the mobile phone /$rRoger Odin ;$tExploring inner worlds: where cognitive psychology may take us /$ra dialogue between Tim J. Smith and Ian Christie --$gpt. 3.$tOnce and future audiences.$tCrossing out the audience /$rMartin Barker ;$tCinema spectator: a special memory /$rRaymond Bellour ;$tOperatic cinematics: a new view from the stalls /$rKay Armatiage ;$tWhat do we really know about film audiences? /$rIan Christie. 330 $aMoving away from the recent prevalence of text-based analysis in the field of film studies, 'Audience' tackles one of the most important issues in cinema - how the audience engages with film. Ian Christie has assembled contributions from many of the major figures in media studies, including Gregory Waller, John Sedgwick, and Martin Baker, in order to provide a wide-ranging survey of viewers' relationships with the screen. 'Audiences' utilizes psychoanalysis and psychology, which dominated early academic examinations of film, to parse and explain modern film-viewing habits. This wide-ranging volume also takes advantage of new technology to gain access to important data on audiences, from traditional box office studies to information on digital access to movies in the home. With a particular interest in individual consumers and their motivations, this timely collection spans the spectrum of contemporary audience studies. As the film experience fragments across multiple formats, 'Audiences' studies a broad range of viewers, and is essential reading for scholars and lovers of cinema. 410 0$aKey debates ;$v3. 517 3 $aDefining and researching screen entertainment reception 606 $aMotion picture audiences 615 0$aMotion picture audiences. 676 $a302.2343 702 $aChristie$b Ian$f1945- 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996206785003316 996 $aAudiences$91803127 997 $aUNISA