LEADER 04629nam 2200649 450 001 996205774403316 005 20230803021935.0 010 $a0-19-176135-4 010 $a0-19-163946-X 035 $a(CKB)2550000001131452 035 $a(EBL)3055733 035 $a(OCoLC)921055594 035 $a(SSID)ssj0001173406 035 $a(PQKBManifestationID)11681299 035 $a(PQKBTitleCode)TC0001173406 035 $a(PQKBWorkID)11104666 035 $a(PQKB)11223675 035 $a(StDuBDS)EDZ0000176110 035 $a(MiAaPQ)EBC3055733 035 $a(MiAaPQ)EBC7038452 035 $a(Au-PeEL)EBL7038452 035 $a(EXLCZ)992550000001131452 100 $a20111102d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGreek epigram in reception $eJ. A. Symonds, Oscar Wilde, and the invention of desire, 1805-1929 /$fGideon Nisbet 210 1$aOxford :$cOxford University Press,$d2014. 215 $a1 online resource (398 p.) 225 1 $aClassical Presences 225 0$aClassical presences 300 $aDescription based upon print version of record. 311 $a0-19-966249-5 311 $a1-299-99910-7 320 $aIncludes bibliographical references and index. 327 $a""Cover""; ""Greek Epigram in Reception: J. A. Symonds, Oscar Wilde, and the Invention of Desire, 1805a???1929""; ""Copyright""; ""Acknowledgements""; ""Contents""; ""Introduction""; ""1. GREECE AND THE VICTORIANS: HERITAGE, MEMORY, TRAUMA""; ""2. CONTESTING MEMORY: THE GREEK ANTHOLOGY AND RADICAL CLASSICS""; ""3. THE ANCIENT GENRE, ITS TRANSMISSION, AND ITS PUBLICATION""; ""4. CHUNKING THE ARCHIVE: EPIGRAM BETWEEN READERSHIPS""; ""5. FRAGMENTARY LIVES: DOMESTICATING THE ANTHOLOGY""; ""6. SEX, ART, AND DEATH: GREEK EPIGRAM IN AND OUT OF POMPEII"" 327 $a""7. EPIGRAM AS SOCIAL PRACTICE AND POLITICAL STATEMENT""""8. CONTROVERSY AND DISCIPLINE: A STATEMENT OF METHOD""; ""9. SURVIVAL OF THE FITTEST: HOW THE ANTHOLOGY WAS FRAMED""; ""Part I: The Descent from Olympus""; ""1: The Miscellanies of Bland and Merivale""; ""1. a???BE MINE TO WREATHEa???: FROM ANTHOLOGY TO MISCELLANY""; ""2. a???SOME WITHERa???D SHRUB, OF POWa???R MALIGNa???: PREFACE AND PROLOGUE""; ""3. a???A GUILTY EXCESSa???: REDEEMING MELEAGER IN THE PREFACE""; ""4. a???POOR LOST ELIZA!a???: THE ANTHOLOGY IN ENGLISH DRESS""; ""5. REVIEWING THE ANTHOLOGY""; ""6. ANTHOLOGIZING THE REVIEWS"" 327 $a""7. a???A SIFTING COLLECTIONa???: EPIGRAMa???S CHANGING WORLD""""2: Three Mid-Century a???Anthologiesa???""; ""1. a???A FAULTY AND INJUDICIOUS ARRANGEMENTa???: SIZES AND SCHEMES""; ""2. a???FRUSTRATED BY VAGUENESSa???: THREE MID-CENTURY HISTORIES OF GREEK LITERATURE""; ""Talfourd, Blomfield, et al., History of Greek Literature (2nd edn, 1850)""; ""Browne, A History of Classical Literature (1851a???3)""; ""Mure, A Critical History of the Language and Literature of Antient Greece (1850a???7)""; ""3. a???A PUBLIC EVILa???: WELLESLEYa???S ANTHOLOGIA POLYGLOTTA (1849)"" 327 $a""4. AN ETON MESS: GEORGE BURGESa???S GREEK ANTHOLOGY (1852)""""5. a???A HARD CLOGa???: ROBERT MACGREGORa???S GREEK ANTHOLOGY (1864)""; ""6. CONCLUSION""; ""Part II: Wildea???s Meleager""; ""3: a???The Most Precious Relica???""; ""1. a???THIS WORLD OF PHANTOMSa???: ET IN ATTICA, EGO""; ""2. SYMONDS AS OXFORD CLASSICIST""; ""3. AESTHETICS OF DESIRE: SYMONDS, PATER,AND a???WINCKELMANNa???""; ""4. BEATING THE CURVE: STUDIES, PASTORAL, AND EPIGRAM""; ""5. a???THE MOST VALUABLE RELICa???: POETS IN A NEW LANDSCAPE""; ""6. ALPINE CONNOTATIONS 1: THE NORTH FACE OF AESCHYLUS"" 327 $a""Part III: a???The Book of Greek Lifea???"" 330 8 $aTracing the evolution and reception history of a collection of ancient Greek epigrams from the early nineteenth to twentieth century, the volume analyses the rhetoric which writers and translators brought to the text, highlighting the after effects of this cultural war on the interpretations of Ancient Greece in British print culture. 410 0$aClassical Presences 606 $aEpigram 606 $aGreek poetry$xHistory and criticism 615 0$aEpigram. 615 0$aGreek poetry$xHistory and criticism. 676 $a881.0109 700 $aNisbet$b Gideon$0621959 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996205774403316 996 $aGreek epigram in reception$92401138 997 $aUNISA