LEADER 03954nam 2200889 a 450 001 996203966603316 005 20200520144314.0 010 $a0-19-959132-6 010 $a1-281-15500-4 010 $a9786611155001 010 $a0-19-153784-5 010 $a1-4356-1014-8 035 $a(CKB)1000000000407074 035 $a(EBL)415166 035 $a(OCoLC)437092993 035 $a(SSID)ssj0001037905 035 $a(PQKBManifestationID)12372749 035 $a(PQKBTitleCode)TC0001037905 035 $a(PQKBWorkID)11044757 035 $a(PQKB)10308126 035 $a(SSID)ssj0000123101 035 $a(PQKBManifestationID)11159761 035 $a(PQKBTitleCode)TC0000123101 035 $a(PQKBWorkID)10132617 035 $a(PQKB)11181153 035 $a(StDuBDS)EDZ0000072598 035 $a(MiAaPQ)EBC415166 035 $a(Au-PeEL)EBL415166 035 $a(CaPaEBR)ebr10197098 035 $a(CaONFJC)MIL115500 035 $a(EXLCZ)991000000000407074 100 $a20070618d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aClassics in post-colonial worlds$b[electronic resource] /$fedited by Lorna Hardwick and Carol Gillespie 210 $aOxford [England] ;$aNew York $cOxford University Press$d2007 215 $a1 online resource (439 p.) 225 1 $aClassical presences 300 $aPapers from a conference, Classics in Post-Colonial Worlds, held at the Open University in Harborne, Birmingham, in May 2004. 311 $a0-19-171213-2 311 $a0-19-929610-3 320 $aIncludes bibliographical references (p. [364]-409) and index. 327 $aContents; List of Illustrations; List of Contributors; Introduction; PART I: CASE STUDIES; PART II: ENCOUNTER AND NEW TRADITIONS; PART III: CHALLENGING THEORY: FRAMING FURTHER QUESTIONS; Bibliography; Index 330 $aClassical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects and put to new uses. In this collection of essays, international scholars debate the relationship between the culture of Greece and Rome and the changes that have followed the end of colonial empires. - ;Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects to become first a means of challenging colonialism and then a rich field for creating cultural identities that blend the old and the new. Nobel prize- 410 0$aClassical presences. 606 $aCommonwealth literature (English)$xClassical influences 606 $aCommonwealth literature (English)$xGreek influences 606 $aAfrican drama (English)$xGreek influences 606 $aCaribbean literature (English)$xClassical influences 606 $aCaribbean literature (English)$xGreek influences 606 $aPostcolonialism$zCommonwealth countries 606 $aClassicism in literature 606 $aComparative literature$xModern and classical 606 $aInfluence (Literary, artistic, etc.) 608 $aElectronic books. 615 0$aCommonwealth literature (English)$xClassical influences. 615 0$aCommonwealth literature (English)$xGreek influences. 615 0$aAfrican drama (English)$xGreek influences. 615 0$aCaribbean literature (English)$xClassical influences. 615 0$aCaribbean literature (English)$xGreek influences. 615 0$aPostcolonialism 615 0$aClassicism in literature. 615 0$aComparative literature$xModern and classical. 615 0$aInfluence (Literary, artistic, etc.) 676 $a820.9/9171241 701 $aHardwick$b Lorna$0176614 701 $aGillespie$b Carol$0986282 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996203966603316 996 $aClassics in post-colonial worlds$92254203 997 $aUNISA