LEADER 01156nam0-2200349---450 
001 9910645488403321
005 20230911123517.0
010   $a978-88-93574-74-7
100   $a20230217d2022----km-y0itay50------ba
101 0 $aita$cita
102   $aIT
105   $a----a---001yy
200 1 $a<<Le >>risorse cartografiche$edefinizione, storia, catalogazione$fLaura Manzoni$gsaggi introduttivi di Mauro Guerrini e Andrea Cantile
210   $aMilano$cEditrice Bibliografica$d2022
215   $a407 p.$d21 cm
225 1 $aBiblioteconomia e scienza dell'informazione$v42
300   $aDOI: http://doi.org/10.53134/9788893574747
610 0 $aCarte geografiche$aCatalogazione
610 0 $aCartografia$aSec. 18.-20.
676   $a025.346$v21
700  1$aManzoni,$bLaura$f<1993-    >$01268558
702  1$aGuerrini,$bMauro$f<1953- >
702  1$aCantile,$bAndrea
801  0$aIT$bUNINA$gREICAT$2UNIMARC
901   $aBK
912   $a9910645488403321
952   $a13 U 02 85$b4437 / 2023$fFINBC
952   $a020.7 BSI (042)$b2023/1185$fFLFBC
959   $aFLFBC
959   $aFINBC
996   $aRisorse cartografiche$93009805
997   $aUNINA

LEADER 02598nam  2200613 a 450 
001 996202099403316
005 20231205230453.0
010   $a1-281-30831-5
010   $a9786611308315
010   $a0-470-69419-X
010   $a0-470-69336-3
035   $a(CKB)1000000000413120
035   $a(EBL)351045
035   $a(OCoLC)476170283
035   $a(SSID)ssj0000133404
035   $a(PQKBManifestationID)11142107
035   $a(PQKBTitleCode)TC0000133404
035   $a(PQKBWorkID)10045000
035   $a(PQKB)11580013
035   $a(MiAaPQ)EBC351045
035   $a(EXLCZ)991000000000413120
100   $a20070612d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCultural appropriation and the arts$b[electronic resource] /$fJames O. Young
210   $aMalden, MA $cBlackwell Pub.$d2008
215   $a1 online resource (186 p.)
225 1 $aNew directions in aesthetics ;$v6
300   $aDescription based upon print version of record.
311   $a1-4051-7656-3 
320   $aIncludes bibliographical references (p. 159-165) and index.
327   $aWhat is cultural appropriation? -- The aesthetics of cultural appropriation -- Cultural appropriation as theft -- Cultural appropriation as assault -- Profound offence and cultural appropriation -- Conclusion: responding to cultural appropriation.
330   $aNow, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture)Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives riseTackles head on the thorny issues arising from the
410  0$aNew directions in aesthetics ;$v6.
606   $aArts and society
606   $aArts$xMoral and ethical aspects
606   $aCultural property
615  0$aArts and society.
615  0$aArts$xMoral and ethical aspects.
615  0$aCultural property.
676   $a700.1
676   $a700.1/03
676   $a700.103
700   $aYoung$b James O.$f1957-$0849486
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a996202099403316
996   $aCultural appropriation and the arts$92025965
997   $aUNISA