LEADER 05098nam 22006972 450 001 996201681003316 005 20210207112402.0 010 $a1-280-66698-6 010 $a9786613643919 010 $a90-485-1384-7 024 7 $a10.1515/9789048513840 035 $a(CKB)2670000000157870 035 $a(EBL)1002952 035 $a(OCoLC)811490856 035 $a(SSID)ssj0000679900 035 $a(PQKBManifestationID)12279925 035 $a(PQKBTitleCode)TC0000679900 035 $a(PQKBWorkID)10625428 035 $a(PQKB)10126950 035 $a(DE-B1597)517619 035 $a(DE-B1597)9789048513840 035 $a(UkCbUP)CR9789048513840 035 $a(Au-PeEL)EBL1002952 035 $a(CaPaEBR)ebr10589702 035 $a(CaONFJC)MIL364391 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/34496 035 $a(MiAaPQ)EBC1002952 035 $a(PPN)183559169 035 $a(EXLCZ)992670000000157870 100 $a20210105d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aJean Epstein $ecritical essays and new translations /$fedited by Sarah Keller & Jason N. Paul$b[electronic resource] 210 $cAmsterdam University Press$d2012 210 1$aAmsterdam :$cAmsterdam University Press$d2012. 215 $a1 online resource (439 pages) $cdigital, PDF file(s) 225 1 $aFilm theory in media history 300 $aTitle from publisher's bibliographic system (viewed on 29 Jan 2021). 311 $a90-8964-292-7 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tTable of Contents --$tAcknowledgments --$tAbbreviations --$tPreface /$rGunning, Tom --$tIntroduction. Jean Epstein and the Revolt of Cinema /$rKeller, Sarah --$tEssays --$tEpstein's Photogénie as Corporeal Vision: Inner Sensation, Queer Embodiment, and Ethics /$rWall-Romana, Christophe --$tNovelty and Poiesis in the Early Writings of Jean Epstein /$rLiebman, Stuart --$tThe Cinema of the Kaleidoscope /$rKirtland, Katie --$tDistance is [Im]material: Epstein Versus Etna /$rWild, Jennifer --$t"The Supremacy of the Mathematical Poem": Jean Epstein's Conceptions of Rhythm /$rGuido, Laurent --$tThe "Microscope of Time": Slow Motion in Jean Epstein's Writings /$rCortade, Ludovic --$tA Different Nature /$rMoore, Rachel --$tCinema Seen from the Seas: Epstein and the Oceanic /$rSchneider, James --$tA Temporal Perspective: Jean Epstein's Writings on Technology and Subjectivity /$rLundemo, Trond --$tUltra-Modern: Jean Epstein, or Cinema "Serving the Forces of Transgression and Revolt" /$rBrenez, Nicole --$tThoughts on Photogénie Plastique /$rBullot, Érik --$tTranslations --$tIntroduction: Epstein's Writings --$tLa Poésie d'aujourd'hui, un nouvel état d'intelligence (1921) /$rKeller, Sarah --$tBonjour Cinéma (1921) /$rKeller, Sarah --$tLa Lyrosophie (1922) /$rKirtland, Katie --$tLe Cinématographe vu de l'Etna (1926) /$rLiebman, Stuart --$tL'intelligence d'une machine (1946) /$rLundemo, Trond --$tLe Cinéma du diable (1947) /$rCortade, Ludovic --$tLater Works /$rWall-Romana, Christophe --$tLate Articles --$tAfterword: Reclaiming Jean Epstein /$rAbel, Richard --$tFilmography --$tSelect Bibliography --$tNotes on Contributors --$tIndex of Names --$tIndex of Films and Major Writings by Jean Epstein --$tIndex of Films 330 $aAlthough early film buffs may be familiar with Jean Epstein's films, including an adaptation of Edgar Allan Poe's The Fall of the House of Usher, not many Anglophones are acquainted with his poetic and provocative prose. Gathered in this wide-ranging collection are new translations into English of every major theoretical work on film theory Epstein ever published, as well a series of essays by other film makers and scholars of art history, French studies, and film, which provide incisive commentary and essential context for Epstein as both a director and a theoretician. As a result, Jean Epstein: Critical Essays and New Translations provides an expansive account of the artist and the man, from his beginnings as a student of biology and aspiring poet to his late film projects and posthumously published writings. By both connecting Epstein to his era and offering contemporary criticism of his films, the essays in this book demonstrate his ongoing importance in film history and theory. This collection is a timely reexamination of a filmmaker and author who has much to offer modern audiences and readers. 410 0$aFilm theory in media history. 606 $aIndividual film directors, film-makers$2bicssc 610 $afilm 610 $aJean Epstein 610 $aSlow motion 615 7$aIndividual film directors, film-makers 676 $a791.430233092 700 $aKeller$b Sarah$4auth$0801310 702 $aKeller$b Sarah$g(Sarah K.), 702 $aPaul$b Jason N. 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a996201681003316 996 $aJean Epstein$93041549 997 $aUNISA