LEADER 00965nam a22002651i 4500 001 991003654599707536 005 20030915113549.0 008 031111s1989 fr |||||||||||||||||fre 020 $a2252026626 035 $ab12456652-39ule_inst 035 $aARCHE-048994$9ExL 040 $aDip.to Lingue$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a441 100 1 $aBourciez, Edouard$0403361 245 10$aPhonétique française :$bétude historique /$cpar E. E. J. Bourciez 260 $aParis :$bKlincksieck,$c1989 300 $aXII, 243 p. ;$c21 cm 440 0$aTradition de l'humanisme ;$v3 650 4$aLingua francese$xFonetica 907 $a.b12456652$b02-04-14$c13-11-03 912 $a991003654599707536 945 $aLE012 441.5 BOU$g1$i2012000197749$lle012$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12885757$z13-11-03 996 $aPhonétique française$9179168 997 $aUNISALENTO 998 $ale012$b13-11-03$cm$da $e-$ffre$gfr $h0$i1 LEADER 04373nam 2201117Ia 450 001 9910783669303321 005 20210608020430.0 010 $a1-282-75926-4 010 $a9786612759260 010 $a0-520-93062-2 010 $a1-59875-919-1 024 7 $a10.1525/9780520930629 035 $a(CKB)1000000000246820 035 $a(EBL)254862 035 $a(OCoLC)475969667 035 $a(SSID)ssj0000113476 035 $a(PQKBManifestationID)11140518 035 $a(PQKBTitleCode)TC0000113476 035 $a(PQKBWorkID)10101464 035 $a(PQKB)10274024 035 $a(StDuBDS)EDZ0000084670 035 $a(OCoLC)62865885 035 $a(MdBmJHUP)muse30486 035 $a(DE-B1597)520684 035 $a(DE-B1597)9780520930629 035 $a(Au-PeEL)EBL254862 035 $a(CaPaEBR)ebr10106457 035 $a(CaONFJC)MIL275926 035 $a(MiAaPQ)EBC254862 035 $a(dli)HEB06338 035 $a(MiU)MIU01000000000000007383654 035 $a(EXLCZ)991000000000246820 100 $a20050810d2006 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aBoccherini's body$b[electronic resource] $ean essay in carnal musicology /$fElisabeth Le Guin 210 $aBerkeley $cUniversity of California Press$d2006 215 $a1 online resource (375 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-24017-0 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tList of figures --$tList of music examples --$tCD playlist --$tAcknowledgments --$tIntroduction --$tChapter 1. "Cello-and-Bow Thinking" --$tChapter 2. "As My Works Show Me to Be" --$tChapter 3. Gestures and Tableaux --$tChapter 4. Virtuosity, Virtuality, Virtue --$tChapter 5. A Melancholy Anatomy --$tChapter 6. "It Is All Cloth of the Same Piece" --$tChapter 7. The Perfect Listener --$tAppendix: Chronological Table of String Quartets --$tNotes --$tBibliography --$tIndex 330 $aIn this elegant study of the works of the undeservedly neglected composer Luigi Boccherini, Elisabeth Le Guin uses knowledge gleaned from her own playing of the cello as the keystone of her original approach to the relationship between music and embodiment. In analyzing the striking qualities of Boccherini's music-its virtuosity, repetitiveness, obsessively nuanced dynamics, delicate sonorities, and rich palette of melancholy affects-Le Guin develops a historicized critical method based on the embodied experience of the performer. In the process, she redefines the temperament of the musical Enlightenment as one characterized by urgent, volatile inquiries into the nature of the self. 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