LEADER 01207cam0-22004091i-450- 001 990003790150403321 005 20080227132648.0 010 $a88-7042-907-5 035 $a000379015 035 $aFED01000379015 035 $a(Aleph)000379015FED01 035 $a000379015 100 $a20030910d1988----km-y0itay50------ba 101 1 $aita$cfre 105 $ay-------001yy 200 1 $a<>parola e il potere$el'economia degli scambi linguistici$fPierre Bourdieu 210 $aNapoli$cGuida$dc1988 215 $a201 p.$d22 cm 225 1 $aSaggi$v8 300 $aTrad. di Silvana Massari 454 0$12001$aCe que parler veut dire$eL'économie des échanges linguistiques$923540 610 0 $aLinguaggio$aAspetti sociali 610 0 $aSociologia$aTeoria 676 $a301.01 676 $a306.44 700 1$aBourdieu,$bPierre$f<1930-2002>$045203 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003790150403321 952 $aCOLLEZ. 1147 (8)$b5115$fFSPBC 952 $a301.01 BOU 5$b3593$fBFS 952 $aP.1 L 51$bdip.fil.1553$fFLFBC 959 $aBFS 959 $aFLFBC 959 $aFSPBC 996 $aCe que parler veut dire$923540 997 $aUNINA LEADER 03046 am 22007573u 450 001 996198553303316 005 20230621141525.0 035 $a(CKB)3450000000002815 035 $a(MH)010290964-4 035 $a(SSID)ssj0000507575 035 $a(PQKBManifestationID)12214716 035 $a(PQKBTitleCode)TC0000507575 035 $a(PQKBWorkID)10549193 035 $a(PQKB)10037568 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33545 035 $a(EXLCZ)993450000000002815 100 $a20090902d2006 uy 0 101 0 $aeng 135 $aurm|#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNew sounds, new stories $enarrativity in contemporary music /$fVincent Meelberg 210 $cLeiden University Press$d2006 210 1$aAmsterdam :$cLeiden Univ. Press,$dc2006. 215 $a1 online resource (257 pages) $cmusic; digital file(s) 225 1 $aLUP Dissertaties 300 $aIncludes summary in Dutch. 311 08$aPrint version: 9789087280024 320 $aIncludes bibliographic references and index, pages 225 - 246. 330 $aWhen listeners talk about their listening experiences, they often refer to music as if it were a narrative. But can music actually tell a story? Can music be narrative? Traditionally, narrativity is associated with verbal and visual texts, and the mere possibility of musical narrativity is highly debated. In this study, Vincent Meelberg demonstrates that music can indeed be narrative, and that the study of musical narrativity can be very productive. Moreover, Meelberg even makes a stronger claim by contending that contemporary music, too, can be narrative. More specifically, Meelberg suggests considering contemporary musical narratives as metanarratives, i.e. narratives that tell the story of the process of narrativization. 517 1 $aNew Sounds, New Stories 606 $aMusic$y20th century$xAnalysis, appreciation 606 $aMusic$y21st century$xAnalysis, appreciation 606 $aDiscourse analysis, Narrative 610 $aintermediality 610 $amusical story 610 $amusical narrative 610 $amusic 610 $acontemporary music 610 $amuziek 610 $amusical tense 610 $amusical comprehension 610 $anarratology 610 $amusical text 610 $anarrativizering 610 $aatonality 610 $afabula 610 $alinearity 610 $ametaverhalen 610 $aatonal music 610 $ametanarrative 610 $amusical narrativity 610 $aConcert 610 $aTimbre 615 0$aMusic$xAnalysis, appreciation. 615 0$aMusic$xAnalysis, appreciation. 615 0$aDiscourse analysis, Narrative. 700 $aMeelberg$b Vincent$f1970-,$0800885 801 0$bHMU 801 1$bHMU 801 2$bUkMaJRU 906 $aBOOK 912 $a996198553303316 996 $aNew Sounds, New Stories$91802206 997 $aUNISA