LEADER 00941nam0-2200325---450- 001 990008285240403321 005 20110411150752.0 010 $a3-631-38935-3 035 $a000828524 035 $aFED01000828524 035 $a(Aleph)000828524FED01 035 $a000828524 100 $a20060228d2002----km-y0itay50------ba 101 0 $ager 102 $aDE 105 $a----a---001yy 200 1 $aAutorhetorik$ezur Konstruktion weiblicher Autorschaft im ausgehenden 18. Jahrhundert$fCorinna Heipcke 210 $aFrankfurt am Main$cLang$d2002 215 $a183 p.$d21 cm 225 1 $aStudien zur neueren Literatur$v11 610 0 $aLetteratura tedesca$aScrittrici$aSec. 19. 676 $a830.99287 700 1$aHeipcke,$bCorinna$0291398 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008285240403321 952 $a830.99 HEI 1$fFLFBC 959 $aFLFBC 996 $aAutorhetorik$9740736 997 $aUNINA LEADER 01215nam--2200397---450- 001 990006059100203316 005 20150715115954.0 010 $a2-88250-023-8 035 $a000605910 035 $aUSA01000605910 035 $a(ALEPH)000605910USA01 035 $a000605910 100 $a20150715d1991----km-y0itay50------ba 101 $afre 102 $aCH 105 $a||||||||001yy 200 1 $aEn guerre et en paix$ejournal 1940-1944$fAndrzej Bobkowski$gtrad. du polonais par Laurence Dyèvre$gtraduit du polonais par Laurence Dyèvre 210 $aMontricher$cLes Éditions Noir sur blanc$d1991 215 $a613 p.$cill.$d24 cm 300 $aTit. orig.: Szkice piórkiem 410 0$12001 454 1$12001 461 1$1001-------$12001 606 0 $aGuerra mondiale 1939-1945$xDiari e memorie 606 0 $aFrancia$xOccupazione tedesca$z1940-1945 676 $a891.853 700 1$aBOBKOWSKI,$bAndrzej$0620672 702 1$aDyèvre,$bLaurence 801 0$aIT$bsalbc$gISBD 912 $a990006059100203316 951 $aVI.4.A.5$b709 DIPSUM 959 $aBK 969 $aDSLL 979 $aMARANO$b90$c20150715$lUSA01$h1159 996 $aEn guerre et en paix$91102456 997 $aUNISA LEADER 03481nam 2200625Ia 450 001 9910782381103321 005 20230721033045.0 010 $a94-012-0629-5 010 $a1-4356-7772-2 024 7 $a10.1163/9789401206297 035 $a(CKB)1000000000542511 035 $a(EBL)556347 035 $a(OCoLC)277005300 035 $a(SSID)ssj0000175609 035 $a(PQKBManifestationID)12065355 035 $a(PQKBTitleCode)TC0000175609 035 $a(PQKBWorkID)10190465 035 $a(PQKB)11070550 035 $a(MiAaPQ)EBC556347 035 $a(OCoLC)277005300$z(OCoLC)649903138$z(OCoLC)714567169$z(OCoLC)764535800$z(OCoLC)961499791$z(OCoLC)962628227 035 $a(nllekb)BRILL9789401206297 035 $a(Au-PeEL)EBL556347 035 $a(CaPaEBR)ebr10380130 035 $a(EXLCZ)991000000000542511 100 $a20081014d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHyper-narrative interactive cinema$b[electronic resource] $eproblems and solutions /$fNitzan Ben Shaul 210 $aAmsterdam ;$aNew York $cRodopi$d2008 215 $a1 online resource (96 p.) 225 1 $aConsciousness, literature & the arts ;$v18 300 $aDescription based upon print version of record. 311 $a90-420-2461-5 320 $aIncludes bibliographical references (p. [87]-90) and indexes. 327 $aPreliminary Material -- Introduction -- Hyper-Narratives -- Interaction -- Audiovisuality and Interfacing -- Engaging Hyper-narrative Interactive Cinema -- Bibliography -- Index of Names and Titles -- Index of Topics. 330 $aHyper narrative interactive cinema refers to the possibility for users or ?interactors? to shift at different points in an evolving film narrative to other film narrative trajectories. Such works have resulted so far in interactor distraction rather than sustained engagement. Contrary to post-modern textual and cognitive presumptions, film immersion and computer game theories, this study uses dual coding theory, cognitive load theory, and constructivist narrative film theory to claim that interactive hyper-narrative distraction results from cognitive and behavioral multi-tasking, which lead to split attention problems that cannot be cognitively handled. Focus is upon split attention resulting from the non-critical use of de-centered and non-cohering hyper-narrative and audio-visual formations, and from interaction. For hyper-narrative interactive cinema to sustain deep engagement, multi-tasking split attention problems inhering in such computer-based works have to be managed, and ? most importantly - made to enhance rather than reduce engagement. This book outlines some viable solutions to construct deep cognitive-emotional engagement of interactors with hyper-narrative interactive cinema. 410 0$aConsciousness, Literature and the Arts$v18. 606 $aMotion pictures$xPlots, themes, etc 606 $aInteractive art 606 $aExperimental films$xHistory and criticism 615 0$aMotion pictures$xPlots, themes, etc. 615 0$aInteractive art. 615 0$aExperimental films$xHistory and criticism. 676 $a791.433 700 $aBen-Shaul$b Nitzan S$01465012 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782381103321 996 $aHyper-narrative interactive cinema$93710020 997 $aUNINA