LEADER 00869nam0-22003371i-450- 001 990001484370403321 010 $a0-387-98649-9 035 $a000148437 035 $aFED01000148437 035 $a(Aleph)000148437FED01 035 $a000148437 100 $a20010623d2001----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $aa---a---001yy 200 1 $aVector analysis$fKlaus Janich 210 $aNew York$cSpringer$dc2001 215 $axiii, 281 p.$cill.$d24 cm 225 1 $aUndergraduate Texts in Mathematics 610 0 $aAnalisi vettoriale 676 $a515.63$v21 700 1$aJanich,$bKlaus$056646 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001484370403321 952 $aC-4-(109$b18296$fMA1 959 $aMA1 962 $a57-01 962 $a57RXX 996 $aVector analysis$9378107 997 $aUNINA LEADER 01135nam--2200373---450- 001 990005969620203316 005 20141014111611.0 010 $a978-88-430-7217-0 035 $a000596962 035 $aUSA01000596962 035 $a(ALEPH)000596962USA01 035 $a000596962 100 $a20141013d2014----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> romanzo arabo al cinema$emicrocosmi egiziani e palestinesi$fAldo Nicosia 210 $aRoma$cCarocci$d2014 215 $a135 p.$d24 cm 225 2 $aLingue e letterature Carocci$v172 410 0$12001$aLingue e letterature Carocci$v172 454 1$12001 606 1$aCinema$xRapporti [con la] Letteratura$yPaesi arabi$2BNCF 676 $a791.430956 700 1$aNICOSIA,$bAldo$0250848 801 0$aIT$bsalbc$gISBD 912 $a990005969620203316 951 $aXIII.2. 2756$b245426 L.M.$cXIII.2.$d357849 959 $aBK 969 $aUMA 979 $aALESSANDRA$b90$c20141014$lUSA01$h1111 979 $aALESSANDRA$b90$c20141014$lUSA01$h1116 996 $aRomanzo arabo al cinema$91079494 997 $aUNISA LEADER 03814nam 2200625 450 001 9910463501503321 005 20200520144314.0 010 $a91-87675-13-7 010 $a91-87675-11-0 010 $a91-87675-15-3 035 $a(CKB)2670000000571085 035 $a(EBL)1813930 035 $a(SSID)ssj0001416291 035 $a(PQKBManifestationID)11772072 035 $a(PQKBTitleCode)TC0001416291 035 $a(PQKBWorkID)11356467 035 $a(PQKB)10052448 035 $a(MiAaPQ)EBC1813930 035 $a(Au-PeEL)EBL1813930 035 $a(CaPaEBR)ebr10953482 035 $a(CaONFJC)MIL651148 035 $a(OCoLC)893333159 035 $a(EXLCZ)992670000000571085 100 $a20141025h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWelcome home mr swanson $eswedish emigrants and swedishness on film /$fAnn-Kristin Wallengren ; translated by Charlotte Merton 210 1$aLund, Sweden :$cNordic Academic Press,$d2014. 210 4$dİ2014 215 $a1 online resource (237 p.) 300 $aIncludes index. 311 $a1-322-19868-3 311 $a91-87675-14-5 327 $aCover; Title Page; Copyright; Contents; 1. The movies and emigration to America - An introduction; 2. Betraying the nation - Emigration to America; Attitudes to emigration; The movies and anti-emigration propaganda; Emigranten, Amuletten, and other emigration films; The criminal emigrant; Good emigrants in documentaries; 3. Celebrating Swedishness - Representing the Swedish American; Swedish American returnees; Stereotypical signs of Americanization; 'Very welcome home, Mr Swanson'-the dream of the dollar millionaire; The Swedish American woman; The Swedish American as modernizer 327 $aSwedishness and other ethnicitiesAdvancing on America; Visitors in later years; Film and the nation-concluding remarks; 4. Preserving Swedishness in the New World - Swedish film in Swedish America; Culture and Swedish American identity ; Distribution and screening; Sweden films; Heritage films; Comedies, dramas, and all things Swedish; Loving Edvard Persson; Swedish Americans and films from their homeland-concluding remarks; 5. Becoming an American citizen - The Swedish American woman in American film; Swedish Americans and ethnicity in American film; The Swedish female emigrant 327 $aDeterrence: the white slave trade and Traffic in SoulsThe Swedish female stereotype, or, Sweedie, the Swedish Maid; Citizens and politicians-Annie was a Wonder and The Farmer's Daughter; Citizenship, Swedish performativity, and cinema since 1950; 6. Concluding words; Notes; Sources and literature; Index 330 $aBetween 1840 and 1940, more than one million people emigrated from Sweden to America. The fact that so many chose to leave to seek a better life across the Atlantic was a major trauma for the Swedish nation. Filmmakers were not slow to pick up on an exodus that proved to be of lasting importance for the Swedes' national identity. In Welcome Home Mr Swanson, film studies scholar Ann-Kristin Wallengren analyzes the ways in which Swedish emigrants and Swedish-American returnees are depicted in Swedish film between 1910 and 1950, continuing on to recent films and television shows. Were Sweden's em 606 $aMotion pictures$xHistory 606 $aMotion pictures$zSweden 608 $aElectronic books. 615 0$aMotion pictures$xHistory. 615 0$aMotion pictures 676 $a791.4309 700 $aWallengren$b Ann-Kristin$01032405 702 $aMerton$b Charlotte 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910463501503321 996 $aWelcome home mr swanson$92450249 997 $aUNINA